(with Yve-Alain Bois and Douglas Crimp.) "A Conversation with Hans Haacke." October (Fall 1984), 30: 23-48.
An interview. See "A Conversation with Hans Haacke" (1987).
"Giacometti." In William Rubin, ed., `Primitivism' in 20th Century Art: Affinity of the Tribal and the Modern. Vol. II, pp. 502-533. New York: The Museum of Modern Art/New York Graphi c Society Books; Boston: Little, Brown, 1984. Published in conjunction with an exhibition of the same title shown at the following museums: The Museum of Modern Art, New York (September 27-January 15, 1985), Detroit Institute of Art (February 27-May 19, 1985), Dallas Museum of Art (June 23-September 1, 1985). See "No More Play" In The Originality of the Avant-Garde and Other Modernist Myths (1985), pp. 42-85.
"A Note on Photography and the Simulacral." October (Winter 1984), 31: 49-68.
A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic E ducation in Philadelphia, March 1983.
"The Originality of the Avant- Garde: A Postmodernist Repetition." In Brian Wallis, ed., Art After Modernism: Rethinking Representation, pp. 12-29. Foreword by Marcia Tucker. Documentary Sources in Contem porary Art. New York: New York Museum of Contemporary Art; Boston: Godine, 1984. See "The Originality of the Avant-Garde: A Postmodernist Repetition" (1981).
"Rosalind Krauss." In Judy K. Collischan Van Wagner's Women Shaping Art: Profiles of Power, pp. 149-164. New York: Praeger, 1984. Based on an interview.