"Le clin d'oeil de l'instant." (Translated by Jeanne Bouniort) Cahiers du Musée National d'Art Moderne (Spring 1989), 27: 4-9. Translated Denis Hollier's "Pablo Picasso: The Painter Without Hi s Model." Raritan (Summer, 1989), 9(1): 1-26.
"The Future of an Illusion." In Ralph Cohen, ed., The Future of Literary Theory: Essays by Twenty-Five Leading Critics and Theorists Chart the Course of Criticism into the 1990s and Beyond, pp. 280-290. New York: Routledge, 1989.
"In Our Own Time." Santa Barbara, Calif.: Intellimitation, 1989. 1 videocassette (57 min): sd., col. with b&w sequences; 1/2 in. VHS format. Art of the Western World, Program 9. Produced by
Perry Miller Adato.
Host: Michael Wood.
"Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explo sive internationalization of the art world in the 1970s and 1980s. Features experts Rosalind Krauss, Germano Cleant, and Clement Greenberg." Program 9 has two parts (30 min. each): "Shattering the Myths"; "New, Newer, Newest." It was first broadcast on Monday, November 27, 1989 at 9 p.m. (ET) on PBS.
Louise Bourgeois. Frankfurt: Frankfurter Kunstverein in association with Stemmle, Schaffhausen, Switzerland, 1989.
German edition of the catalogue accompanying the travelling exhibition: Fr ankfurt: Frankfurter Kunstverein (December 13, 1989-January 28, 1990); Vienna: Galerie Krinzinger (May 17-July 12, 1990); Otterlo, Netherlands: Rijksmuseum Kröller-Müller (May 25-July 8, 1991). See "Portret van kunsten aar als Fillette," "Portrait of the Artist as Fillette" (1991).
"The Master's Bedroom." Representations (Fall 1989), 28: 55-76. This special issue was entitled "Essays in Memory of Joel Fineman."
"The Ministry of Fate: 9 January 1959: President Charles de Gaulle Appoints André Malraux France's Minister of Cultural Affairs." In Denis Hollier, ed., A New History of French Literature, pp. 1000-1006. Cambridge, Mass.: Harvard University Press, 1989. Issued as a paperback in 1994.
"On ne joue plus." In William Rubin, ed., `Primitivisme' dans l'art du XXe siècle. Vol. II, pp. 503-529. Paris: Flammarion, 1989. Translation of "Giacometti" (1984). See "No More Play" In The Originality of the Avant-Garde and Other Modernist Myths (1985), pp. 42-85.
"Photography and Abstraction." In A Debate on Abstraction, pp. 63-70. New York: The Bertha and Karl Leubsdorf Art Gallery, Hunter College, 1989. Catalogue published in conju nction with the following exhibitions at Hunter College: "Photography and Abstraction," curated by Rosalind Krauss, May 1-June 2, 1989. "Systems and Abstraction," curated by Susan Edwards, November 15-December 22, 1988. "The Persistence of Painting," curated by Vincent Longo, February 1-March 10, 1989. "Anti-simulation: Materialism and Abstraction," curated by Maurice Berger, March 16-April 21, 1989.
"Photography's Discursive Spaces." In Richard Bolton, ed., The Contest of Meaning: Critical Histories of Photography, pp. 287-301. Cambridge, Mass.: MIT Press, 1989. See < CITE>The Originality of the Avant-Garde and Other Modernist Myths (1985), pp. 131-150.
"La pulsion de voir." Cahiers du Musée National d'Art Moderne (Autumn 1989), 29: 34-48.
Revised version of "The "Im/pulse to See" (1988).
"Retaining the Original? The State of the Question." In Kathleen Preciado, ed., Retaining the Original: Multiple Originals, Copies, and Reproductions, pp. 7-11. Studies in the History of Art,
20. Studies in the History of Art
(Washington, D.C.). Symposium Papers, 7. Washington: National Gallery of Art; Hanover, NH: The University Press of New England, 1989.
The Introduction to the Symposium.
Proceedings of the Symposium "Retaining the Original: Multiple Origi nals, Copies and Reproductions," jointly sponsored by the Center for Advanced Study in the Visual Arts, the National Gallery of Art, Washington, and The Johns Hopkins University, Baltimore, 8-9 March 1985. Translated Thierry de Duve's "Andy Warhol, or, The Machine Perfected." Oct ober (Spring 1989), 48: 3-14.
"You Irreplaceable You." In Kathleen Preciado, ed., In Retaining the Original: Multiple Originals, Copies, and Reproductions, pp. 151-159. Studies in the History of Art, 20. Washington: Natio nal Gallery of Art; Hanover, NH: The University Press of New England, 1989.