Works by René Wellek, 1970

• "Comparative Literature at Yale." Ventures Magazine of the Yale Graduate School ( 1970), 10: 24-32.

• Conceptele critici. Introduction by Sorin Alexandrescu. Bucharest: Editura Univers, 1970.

• Romanian translation by Rodica Tinis of Concepts of Criticism ( 1965) (one essay excluded: "American Literary Scholarship), with 2 essays ("The Term and Concept of Classicism in Literary History," "The Term and Concept of Symbolism in Literary History") added from Discriminations ( 1972).
  Contents:

  • Teoria, critica si istoria literara:1-21.
    
  • Termenul si conceptul de critica literara:22-38.
    
  • Conceptul de evolutie in istoria literara:39-55.
    
  • Conceptele de forma si structura in critica secolului al XX- lea:56-71.
    
  • Conceptul de baroc in cercetarea literara:72-118
    
  • Post-scriptum, 1962: 119-132.
    
  • Romantismul reexaminat:208-231.
    
  • Conceptul de realism in cercetarea literara:232-264.
    
  • Revolta impotriva pozitivismului:265-289.
    
  • Criza literaturii comparate:290-303.
    
  • Filozofia si critica literara americana postbelica:324- 352.
    
  • Principalele directii ale criticii secolului al XX-lea:353- 372
    
  • Termenul si conceptul de clasicism in istoria literara:375- 409.
    
  • Termenul si conceptul de simbolism in istoria literara:410- 441.
    

• Discriminations: Further Concepts of Criticism. New Haven, CT and London: Yale University Press, 1970.
  Contents:

  • Prefatory Note:v-vi.
    
  • The Name and Nature of Comparative Literature:1-36.
    
  • Comparative Literature Today:37-54.
    
  • The Term and Concept of Classicism in Literary History:55- 89.
    
  • The Term and Concept of Symbolism in Literary History:90- 121.
    
  • Immanuel Kant's Aesthetics and Criticism:122-142.
    
  • English Literary Historiography during the Nineteenth Century:143-163. Vernon Lee, Bernard Berenson, and Aesthetics:164- 186.
    
  • Leo Spitzer (1887- 1960): 187-224.
    
  • Genre Theory, the Lyric, and Erlebnis:225-252.
    
  • The Poet as Critic, the Critic as Poet, the Poet-Critic:253- 274.
    
  • The Literary Theory and Aesthetics of the Prague School:275-303.
    
  • A Sketch of the History of Dostoevsky Criticism:304-326.
    
  • Stylistics, Poetics, and Criticism:327-343.
    
  • A Map of Contemporary Criticism in Europe:344-359.
    

• Italian translation of The Literary Theory and Aesthetics of the Prague School ( 1969). In Critica e storia letteraria: Studi offerti a Mario Fubini. Vol. 2, pp. 881-904. Padua: Liviana, 1970.

• Litteraturteori. Oslo: Gyldendal Norsk Forlag, 1970.

• Norwegian translation by Haakon Hofgaard Halvorsan of Theory of Literature ( 1949), ( 1966).

• "Preface" to Henry Hallam's Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries. Vol. 1, pp. v-xvii. Classics in Art and Literary Criticism. New York: Johnson Reprint, 1970.

• Reprint of the 1837-39 ed., with a new preface by René Wellek.

• Review of Gian N. Giordano Orsini's Coleridge and German Idealism: A Study in the History of Philosophy with Unpublished Materials from Coleridge's Manuscripts. Comparative Literature (Summer 1970), 22(3): 279-282.

• Review of Milada Blekastad's Comenius: Versuch eines Umrisses von Leben, Werk und Schicksal des Jan Amos Komensky. Slavic and East European Journal (Winter 1970), 14(4): 511-512.

• Review of Thomas McFarland's Coleridge and the Pantheist Tradition. Comparative Literature ( 1970), 22: 282-286.

• (With Austin Warren.) Teoria literatury. Warsaw: Panstwowe Wydawnictwo Naukowe, 1970.

• Polish translation by Macej Zurowski of Theory of Literature. 3d ed. ( 1962)