Eddie Yeghiayan
"Am Nullpunkt der Verruckteit: jetzt die Architektur." Arch Plus (November- December 1988), 95:54-63.
(with Paule Thévenin). Antonin Artaud: Dessins et portraits. Paris: Gallimard, 1986.
"L'Archéologie du frivole." In Etienne Condillac's Essai sur l'origine des connaissances humaines. Collection "Palimpseste." Paris: Galilée, 1973. Paris: Denöel-Gonthier, 1976.
The Archeology of the Frivolous: Reading Condillac. Duquesne Studies: Philosophical Series, 37. Pittsburgh: Duquesne University Press, 1980. Reprint: Lincoln: University of Nebraska Press, 1987. Translation by John P. Leavey, Jr. of L'Archéologie du frivole , which was first published in 1973 with Etienne Condillac's Essai sur l'origine des connaissances humaines and reprinted separately in 1976.
"Architetture ove il desiderio può abitare. " (Interview with Eva Meyer) Domus (1986), 671:17-24.
"Escrever e um modo de morar: entrevista de Jacques Derrida a Eva Meyer." Projeto (January-February 1989), 118:114-116.
(with Anthony Vidler). Bernard Tschumi. La Case vide: La Villette, 1985 . London: Architectural Association, 1986. English and French.
"Point de folie: maintenant l'architecture: Bernard
Tschumi: La Villette." ( Kate Linker, tr.)
AA Files (Summer 1986), 12:65-75.
Included in Psyché: Inventions de l'autre .
La Carte postale: De Socrate à Freud et
au-delà . Collection "La Philosophie en effet."
Paris: Flammarion, 1980.
Includes his "Le Facteur de la vérité"
previously published in Poétique
( 1975), 21 under title: "Littérature et philosophie
mêlées."
(with Peter Eisenman). Choral Work. London: AA Publications, 1988. D'un ton apocalyptique adopté naguère en philosophie. Collection "Débats." Paris: Galilée, 1983.
De l'esprit: Heidegger et la question. Collection "La Philosophie en effet."
Paris: Galilée, 1987.
"Conference prononcée le 14 mars 1987, lors d'un
colloque organisé par leCollège International de Philosophie
à Paris: `Heidegger: Questions ouvertes'. Les notes fuerent evidemment ajoutées après coup."- -p. 9.
Eperons: Les styles de Nietzsche = Spurs: Nietzsche's Styles = Sporen: die Stile Nietzsches = Sproni: gli stili di Nietzsche . Introduction by Stefano Agosti. Venice: Corbo e Fiori, 1976.
Eperons: Les styles de Nietzsche . Introduction by Stefano Agosti. Champs, 41. Paris: Flammarion, 1978.
(with others). La Faculté de juger . Collection "Critique." Paris: Minuit, 1985. Colloque de Cerisy-la-Salle on Jean- François Lyotard.
Feu la cendre. Paris: Des Femmes, 1987.
"Feu la cendre." [sound recording] 1 sound cassette: 1 7/8 ips; 1/8 in. Paris: Des Femmes, 1987. Lu par l'auteur et Carole Bouquet.
"Fifty-Two Aphorisms for a Foreword." ( Andrew Benjamin, tr.) Tate Gallery/Academy Forum . London: 1988.
(with others). For Nelson Mandela .
New York: Seaver Books, 1987.
Portions of this book were originally published in France by Gallimard
under the title Pour Nelson Mandela .
"Fors." Preface to Nicolas Abraham and Maria Torok, Cryptonymie: Le verbier de l'Homme aux loups. Paris: Flammarion, 1976.
Gérard Titus- Carmel: The Pocket Size Tlingit Coffin . Exhibition March 1-April 10, 1978 at the Centre National d'Art et de Culture Georges Pompidou, Musée National d'Art Moderne. Paris: Centre Georges Pompidou, 1978.
Glas. Collection "Débats." Paris: Galilée, 1974.
Glas. Bibliothèque médiations.
Paris: Denöel/Gonthier, 1981.
Vol. 1 on work of Hegel. Vol. 2 on work of Genet.
Glas . John P. Leavey, Jr. and Richard Rand, trs. Lincoln: University of Nebraska Press, 1986.
"Jacques Derrida: In Discussion with Christopher Norris." [Interview] Architectural Design (1989), 59(1-2): 6-11.
Limited inc.: Abc. Baltimore:
Johns Hopkins University Press, 1977.
Published as a supplement to Glyph #2: Johns Hopkins Textual Studies , in which
the English translation of
Limited inc. appears.
Limited Inc. Evanston, IL: Northwestern
University Press, 1988.
Translated from the French. Two essays herein appeared in
Glyph #1 and #2, 1977.
Marges de la philosophie. Collection "Critique." Paris: Minuit, 1972.
Margins of Philosophy. Translation and
Annotation by Alan Bass. Brighton: Harvester Press;
Chicago: University of Chicago Press, 1982.
Translation of Marges de la philosophie .
Mémoires: For Paul de Man. Cecile Lindsay, Jonathan Culler, Eduardo Cadava, trs. The Wellek Library Lectures at the University of California, Irvine. New York &Guildford: Columbia University Press, 1986.
Mémoires: Pour Paul de Man. Paris: Galilée, 1988.
The New Modernism: Deconstructionist Tendencies in
Art . Art & Design Profile, 8. London:
Academy Group; New York: St. Martin's Press, 1988.
See Art & Design ( 1988),
4(3-4).
Of Grammatology .
Gayatri Chakravorty Spivak, tr.
Baltimore: Johns Hopkins University Press, 1976.
Translation of De la Grammatologie.
Of Spirit: Heidegger and the
Question. Chicago: University of Chicago Press,
1989.
Translation of De l'esprit: Heidegger
et la question.
L'Oreille de l'autre: Otobiographies, transferts, traductions: Textes et débats avec Jacques Derrida. Edited by Claude Lévesque and Christie V. McDonald. Montreal: VLB, 1982.
Translation and Introduction. Edmund Husserl, L'Origine de le géométrie. Epiméthée: Essais philosophiques. Paris: Presses Universitaires de France, 1962.
L'Origine de la géométrie.
2d rev. ed. Paris: Presses Universitaires de France,
1974.
Translation of pp. 365-386 of the 1954 ed. of Husserl's
Die Krisis der europäischen Wissenschaften
und die transzendentale Phänomenologie,
edited by Walter Biemel and published by Martin Nijhoff as vol. 6 of the Husserliana series.
Otobiographies: L'enseignement de Nietzsche et la politique du nom propre. Collection "Débats." Paris: Galilée, 1984.
Parages. Collection "La
Philosophie en effet." Paris:
Galilée, 1986.
Contains articles published between
1975 and 1979.
"Point de folie: maintenant l'architecture: Bernard
Tschumi: La Casa Vide--La Villette." ( Kate Linker, tr.)
AA Files (Summer 1986), 12:65-75.
Included in Psyché: Inventions de l'autre .
Positions. Translation and Annotation by Alan Bass. Chicago: University of Chicago Press; London: Athlone, 1981. Phoenix ed., University of Chicago Press, 1 982.
Positions: Entretiens avec Henri Ronse, Julia Kristeva, Jean- Louis Houdebine, Guy Scarpetta. Collection "Critique." Paris: Editions de Minuit, 1972.
(with others). Pour Nelson Mandela. Preface by Dominique Lecoq. Paris: Gallimard, 1986.
The Post Card: From Socrates to Freud and Beyond.
Translation, Annotation and Introduction by Alan Bass. Chicago & London: University of Chicago Press, 1987.
Translation of La Carte postale.
Preface to Jean-Claude Beaune, et al., Les Sauvages dans la cité: Auto-emancipation du peuple et instruction des prolétaires au XIXe siècle. Collection Milieux. Seyssel: Champ Vallon, 1985.
Psyché: Inventions de l'autre.
Collection "La Philosophie en effet." Paris:
Galilée, 1987.
Collection of essays written 1978-1987, includes
"Point de folie--maintenant l'architecture," and
"Pourquoi Peter Eisenman écrit de si bons livres."
Schibboleth pour Paul Celan. Collection "La Philosophie en effet." Paris: Galilée, 1986.
Signéponge. Paris: Seuil, 1988.
Signéponge = Signsponge.
Richard Rand, tr. New York & Guildford:
Columbia University Press, 1984.
Parallel French text and English translation. Portions of the French
text were originally delivered as a lecture before the
Colloquium on Françis Ponge, held at Cerisy-la-Salle in July 1975.
Speech and Phenomena, and Other Essays on
Husserl's Theory of Signs. David B. Allison, tr.
Preface by Newton Garver. Evanston, IL:
Northwestern University Press, 1973. Pbk.
1979.
Translation of La Voix et le phénomène.
Spurs: Nietzsche's Styles = Eperons: Les styles de
Nietzsche. Barbara Harlow, tr.
Chicago & London: University of Chicago
Press, 1979.
English and French on facing pages.
The Truth in Painting. Geoff
Bennington and Ian McLeod, trs. Chicago &
London: University of Chicago Press, 1987.
Translation of La Vérité en
peinture.
Ulysse gramophone: Deux mots pour Joyce.
Paris: Galilée, 1987.
"Deux mots pour Joyce" was first published in
Post-Structuralist Joyce , Cambridge
University Press, 1984."Ulysse gramophone"
originally appeared in Genèse de
Babel , CNRS, 1985.
"Valerio Adami: Le voyage du dessin". Derrière le miroir, 214. Paris: Maeght, 1975.
La Vérité en peinture.
Champ philosophique. Paris: Flammarion,
1978.
" Partiellement extrait de diverses revues et publications,
1968-1978."
La Voix et le phénomène: Introduction au problème du signe dans la phénomènologie de Husserl . Epiméthée: Essais philosophiques. Paris: Presses Univers itaires de France, 1967. 2d ed. 1972. 3d ed. 1976. 4th ed. 1983.
"Why Peter Eisenman Writes Such Good Books."
Threshold: Journal of the School of Architecture, University
of Illinois at Chicago (Spring 1988), 4:99-105.
Also in Toshio Nakamura, ed.," Peter Eisenmann"
Process: Architecture (August 1988), 78.
Writing and Difference. Alan
Bass, tr. Chicago: University of Chicago Press;
London: Routledge & Kegan Paul, 1978.
Translation of L'Ecriture et la
différence .
See Christopher Norris and Andrew Benjamin.
What is Deconstruction? London: Academy
Editions; New York: St. Martin's Press,
1988.
Includes an essay by Norris, "Deconstruction, Post-modernism
and the Visual Arts," pp. 7- 31, and an essay by
Benjamin, "Deconstruction and Art/The Art of
Deconstruction," pp. 33-54.
See also Andrew Benjamin's "Derrida, Architecture, and Philosophy," Architectural Design ( 1988), 58(3-4): 8-11; Geoff Bennington's " Deconstruction is Not What You Think," Art & Design ( 1988), 4(3-4); Eric Bolle's "De filosofische wortels van het Deconstructivisme: Derrida, Tschumi en Eisenmann," De Architect (April 1989), 20(4): 71-75; Tim Clarke's "The Man Who Puts Windows in the Floor," Blueprint (London) (June 1989), 58:34-35. [On Peter Eisenman, on Guardiola house, Spain, Deconstructivism, and Derrida]; Paul Jay's "Critical Historicism and the Discipline of Architecture," Threshold (Spring 1988), 4:28-34; Robert Mugerauer's "Derrida and Beyond," Center: A Journal for Architecture in America ( 1988), 4: 66-75; Andreas C. Papadakis, ed., Deconstruction in Architecture . Architectural Design Profile, 72. London: Architectural Design; New York: St. Martin's Press, 1988; Alain Pélissier's "Jacques Derrida: La déconstruction: un projet?" Techniques et Architecture (October-November 1988), 380:53-57; Mark Wigley's "Postmortem Architecture: The Taste of Derrida," Perspecta ( 1987), 23: 156-172, and "The Translation of Architecture, the Production of Babel," Assemblage (February 1989), 8:6-21.