Texts by Homi K. Bhabha, 1989

Eddie Yeghiayan

• "At the Limits." Artforum (May 1989), 27(9):11-12.
       "Homi K. Bhabha on The Power of the Text."
       On the reverberations of Salman Rushdie's Satanic Verses.

• "Beyond Fundamentalism and Liberalism: Thoughts on the Rushdie Affair." In Lisa Appignanesi and Sara Maitland, eds., The Rushdie File, pp. 137-140. London: ICA /Fourth Estate, 1989.

• "The Commitment to Theory." In Jim Pines and Paul Willemen, eds., Questions of Third Cinema, pp. 111-132. London: British Film Institute, 1989.
       Reprint of "The Commitment to Theory" (1988).

• "Down among the Writers." New Statesman & Society (July 28, 1989), 2(60):38-39.
       "Homi Bhabha ventures into darkest England to show what Fay Weldon and Roy Hattersley have failed to learn from ‘The Satanic Verses’."

• "Hybridité, identité et culture contemporaine." In Jean-Hubert Martin, ed., Magiciens de la terre, pp. 24-27. Centre Georges Pompidou, Musée national d'art moderne, La Villette, la Grande Halle. Paris: Editions du Centre Pompidou, 1989.
       Catalog of an exhibition held May 18-August 14, 1989 prepared under the direction of Jean-Hubert Martin and others.
       Translated by Jeanne Bouniort.

• "Identities on Parade: A Conversation." Marxism Today (June 1989):2-5.
       A conversation with Bhikhu Parekh.

• "Imaginings." New Statesman & Society (October 6, 1989), 2(70):46.
       Response to the question asked of key critics: "What is your cultural agenda?"

• "Imaginings." New Statesman & Society (October 6, 1989), 2(70):46.
       Response to the question asked of key critics: "What is your cultural agenda?"

• "Location, Intervention, Incommensurability: A Conversation with Homi Bhabha." Emergences (Fall 1989), 1:63-88.

• "Of Mimicry and Man: The Ambivalence of Colonial Discourse." In Philip Rice and Patricia Waugh, eds., Modern Literary Theory: A Reader, pp. 234-241. London: E. Arnold; New York: Routledge, Chapman and Hall, 1989.
       Reprint of "Of Mimicry and Man: The Ambivalence of Discourse" (1984).

• "Remembering Fanon: Self, Psyche, and the Colonial Condition." In Barbara Kruger and Phil Mariani, eds., Remaking History, pp. 131-148. Discussions in Contemporary Culture, 4. Seattle: Bay Press, 1989.
       "Remembering Fanon: Self, Psyche, and the Colonial Condition" (1986).
       Largely lectures sponsored by the Dia Art Foundation.

• "The Wrong Story." New Statesman & Society (December 15, 1989), 2(80):40-42.
       On Hayward Gallery’s staging of the first major exhibition entitled "The Other Story" of Afro-Asian Art in Britain.