Discussions of Homi K. Bhabha's Works: Cairns, David --- Curtis, L. Perry, Jr.

Eddie Yeghiayan

• Cairns, David and Shaun Richards. "No Good Brave Causes? The Alienated Intellectual and the End of Empire." Literature and History (Autumn 1988), 14(2):203, 205n43.
       They quote the following from Homi K. Bhabha’s "The Other Question…": "The objective of colonial discourse is to construe the colonised as a population of degenerate types…in order to justify conquest and to establish systems of administration and instruction."

• Calhoon, Kenneth S. "Alchemies of Distraction: James's Portrait of a Lady and Fontane's Effi Briest." Arcadia (1999), 34(1):91n3.

• Campa, Román de la. "Hibridez posmoderna y transculturación: políticas de montaje en torno a Latinoamerica." Hispamerica: Revista de Literatura (December 1994), 23(69):5.

• Campa, Roman de la. "On Latin Americanism and the Postcolonial Turn." Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée (September-December 1995), 22(3-4):753, 768.
       Special Issue on "Postcolonial Litteratures: Theory and Practice/ Les Littératures post-coloniales. Théories et réalisations."

• Canfield, Rob. "Orale, Joaqiun: Arresting the Dissemination of Violence in American Me." Journal of Popular Film & Television (Summer 1994), 22(2):68n3, 68.

• Carden, Mary Pannicia. "Creative Fertility and the National Romance in Willa Cather's O Pioneers! and My Antonia." Modern Fiction Studies (Summer 1999), 45(2):279, 296, 300.

• Carnell, Rachell. "It's not Easy Being Green: Gender and Friendship in Eliza Haywood's Political Periodicals." Eighteenth-Century Studies (Winter 1998), 32(2):214n34.
       Quotes Homi K. Bhabha's observation that "the study of world literature might be the study of the way in which cultures recognize themselves through their projections of 'otherness.'"

• Carr, Brian. "At the Thresholds of the 'Human': Race, Psychoanalysis, and the Replication of Imperial Memory." (Spring 1998), 39:139, 146n17, 148.

• Carrier, David. "Methodologies and Theory, Old and New." Art Journal (Summer 1997), 56(2):93-95.
       Review of Robert S. Nelson and Richard Shiff, eds., Critical Terms for Art History (1996), Laurie Schneidler Adams’ The Methodologies of Art: An Introduction, Jody Berland, Will Straw, and David Tomas, eds., Theory Rules: Art as Theory/Theory and Art,Thomas Crow's Modern Art in the Common Culture, James Elkins’ The Object Stares Back: On the Nature of Seeing, and Richard Woodfield, ed., Gombrich on Art and Psychology.

• Carson, Terry and Ingrid Johnston. "The Difficulty With Difference in Teacher Education: Toward a Pedagogy of Compassion." Alberta Journal of Educational Research (Spring 2000), 46(1):80, 82.
       Cites Homi K. Bhabha’s distinction between identity and identification.

• Carter, David. "Good Readers and Good Citizens: Literature, Media and the Nation." Australian Literary Studies (October 1999), 19(2):136, 151.

• Carter, Stephen L. "The Candidate." New Republic (February 22, 1993), 208(8):29-35.
       Review of Toni Morrison, ed., Race-ing Justice: Engendering Power: Essays on Anita Hill, Clarence Thomas and the Construction of Social Reality (1992) and Timothy M. Phelps and Helen M. Winternitz’ Capital Games: Clarence Thomas Anita Hill and the Story of a Supreme Court Nomination.

• Caserio, Robert L. Review of John Carlos Rowe’s The Other Henry James, and Geoffrey Galt Harpham’s One of Us: The Mastery of Joseph Conrad. Modernism/Modernity (2000), 7(1):189.

• Cass, Jeffrey. "’The Scraps, Patches, and Rags of Daily Life’: Gaskell's Oriental Other and the Conservation of Cranford." Papers on Language & Literature: A Journal for Scholars and Critics of Language and Literature (Fall 1999), 35(4):418, 433.
       Quotes the following from Homi K. Bhabha: these "scraps, patches and rags of daily life must be repeatedly turned into the signs of a national culture, which the very act of narrative performance interpellates a growing circle of national subjects."

• Casteel, Sarah Phillips. "Autobiography as Rewriting: Derek Walcott's Another Life and Omeros." Journal of Commonwealth Literature (Fall 1999), 34(2):11-12, 29n14.

• Castillo, Debra A. "Border Theory and the Canon." In Deborah L. Madsen, ed., Postcolonial Literatures: Expanding the Canon, pp. 180, 186. Reconfigurations: Critical Readings in Post-Colonialism. London: Pluto, 1999.

• Castle, Gregory. "Editor’s Introduction: Resistance and Complicity in Postcolonial Studies." In Gregory Castle, ed., Postcolonial Discourses: An Anthology, pp. xii, xiii, xvii-xviii, xx-xxi, xxiin11. Oxford & Malden, Mass.: Blackwell, 2001.

• Castle, Gregory. "Staging Ethnography: John M. Synge's Playboy of the Western World and the Problem of Cultural Translation." Theatre Journal(October 1997), 49(3):271n23, 273, 275, 280.

• Castronovo, Russ. "’As to Nation I Belong to None’: Ambivalence, Diaspora, and Frederick Douglass." American Transcendental Quarterly (September 1995), 9(3):253, 258n2, 259.
       Special issue on "Frederick Douglass," edited by Philip G. Auger.
       Cites Homi K. Bhabha’s characterization of postcolonial difference as unheimlich.

• Causey, Andrew. "The Singasinga Table Lamp and the Toba Batak Art of Conflation." Journal of American Folklore (Summer 1999), 112(445):430-431, 435.
       Special Issue: Theorizing the Hybrid.

• Cavell, Richard. "Where is Frye? Or, Theorizing Postcolonial Space." Essays on Canadian Writing (Fall 1995), 56:125, 131.
       A postcolonial theory of space, according to Homi K. Bhabha in "DissemiNation" (1990), is "more hybrid in the articulation of cultural differences and identifications -- gender, race or class -- than can be represented in any hierarchical or binary structuring of social antagonism."

• Chaitin, Gilbert D. "From the Third Republic to Postmodernism: Language, Freedom, and the Politics of the Contingent." MLN: Modern Language Notes (September 1999), 114(4):781, 813.

• Chakrabarty, Dipesh. "Nation and Imagination: The Training of the Eye in Bengali Modernity." Topoi: International Review of Philosophy (March 1999), 18(1):43, 47n96.

• Chakrabarty, Dipesh. "Postcoloniality and the Artifice of History: Who Speaks for ‘Indian’ Pasts?" Representations (Winter 1992), 37:18, 26n51.
       Utilizes Homi K. Bhabha's notion of mimicry.
       Special Issue on "Imperial Fantasies and Postcolonial Histories."
       Reprinted in Padmini Mongia, ed., Contemporary Postcolonial Theory: A Reader, pp. 239, 246n51. London: Arnold, 1996.

• Chakrabarty, Dipesh. "Subaltern Studies and Postcolonial Historiography." Nepantla: Views from South (2000), 1(1):10, 25.

• Chakrabarty, Dipesh. "Universalism and Belonging in the Logic of Capital." Public Culture: Bulletin of the Project for Transnational Cultural Studies (Fall 2000), 12(3):653n, 654, 677.

• Chakravorty, Pinaki. "The Rushdie Incident as Law-and-Literature Parable." Yale Law Journal (June 1995), 104(8):2224n65.

• Chamber, Iain. "Signs of Silence, Lives of Listening." In Iain Chambers and Lidia Curti, eds., The Post-Colonial Question: Common Skies, Divided Horizons, pp. 49, 60n6. London & New York: Routledge, 1996.

• Chandler, James. "Scott and the Scene of Explanation: Framing Contextuality in The Bride of Lammermoor." Studies in the Novel (Summer 1994), 26(2):95n7.

• Chandler, Nahum Dimitri. "Originary Displacement ." Boundary 2: An International Journal of Literature and Culture (Fall 2000), 27(3):251-252, 252n5.

• Chang, Jeff. "Local Knowledge(s): Notes on Race Relations, Panethnicity and History in Hawaii." Amerasia Journal (Fall 1996), 22(2):4, 8, 24nn9, 10, 25.
       This issue is entitled "Asian American Panethnicity."

• Chapin, J. "Postcolonial Action: Hannah Arendt, Public/Private, Sati and the Recuperation of Subaltern Agency." Weber Studies: An Interdisciplinary Humanities Journal (Winter 1998), 15(1):45-46, 51, 52, 53.

• Chave, Anna C. "New Encounters with Les Demoiselles d’Avignon: Gender, Race, and the Origins of Cubism." Art Bulletin (December 1994), 76(4):599, 606.
       Quotes Homi K. Bhabha's statement that mimicry is an act of appropriation and "one of the most elusive and effective strategies of colonial power and knowledge."

• Cheah, Pheng. "Given Culture: Rethinking Cosmopolitical Freedom in Transnationalism." Boundary 2: An International Journal of Literature and Culture (Summer 1997), 24 (2):168-173.
       Says of Homi K. Bhabha: "his attribution of subversive powers to the vicissitudes of colonial representation relies on too narrow an understanding of the historical project of colonialism, which involves more than just the establishment of civility and cultural authority through the deployment of colonial symbols."

• Cheney, Patrick. "Career Rivalry and the Writing of Counter-Nationhood: Ovid, Spenser, and Philomela in Marlowe's ‘The Passionate Shepherd to His Love’." ELH: English Literary History (Fall 1998), 65(3):553n53.

• Cheng, Anne Anlin. "The Melancholy of Race." Kenyon Review (Winter 1997), 19(1):55, 61n10.
       Cites Homi K. Bhabha's "Of Mimicry and Man" (1984).
       Issue is entitled "American Memory/American Forgetfulness," edited by Lewis Hyde.

• Chen, Kuan-Hsing. "The Imperialist Eye: The Cultural Imaginary of a Subempire and a Nation-State." Positions: East Asia Cultures Critique (Spring 2000), 8(1):68n7, 75n109.
       Translated by Yiman Wang.

• Cheng, Vincent J. "Of Canons, Colonies, and Critics: The Ethics and Politics of Postcolonial Joyce Studies. " Cultural Critique (Winter 1997), 35:85, 96, 103n6.

• Cherniavsky, Eva. "Subaltern Studies in a U.S. Frame." Boundary 2: An International Journal of Literature and Culture (Summer 1996), 23(2):96n24.

• Cheyette, Brian. "Splitting the People." Review of Homi K. Bhabha’s Nation and Narration (1990). TLS: The Times Literary Supplement (September 14, 1990), 4563:979.

• Chinn, Pauline W.U. "Multiple Worlds/Mismatched Meanings: Barriers to Minority Women Engineers." Journal of Research in Science Teaching (August 1999), 36(6):621, 630, 635.

• Chiu, Jeannie. "Uncanny Doubles: Nationalism and Repression in Frank Chin's 'Railroad Standard Time' ." Hitting Critical Mass: A Journal of Asian American Cultural Criticism (Fall 1993), 1(1):93, 96, 97, 107.

• Chow, Eileen Cheng-yin. "A Peach Blossom Diaspora: Negotiating Nation Spaces in the Writing of Taiwan." South Atlantic Quarterly (Winter-Spring 1999), 98(1-2):148, 159n15.
       Special Issue on "Diaspora and Imagination," edited by V.Y. Mudimbe and Sabine Engel.

• Chow, Rey. "Can One Say No to China?" New Literary History (Winter 1997), 28(1):148.

• Chow, Rey. "Larry Feign, Ethnographer of a 'Lifestyle': Political Cartoons from Hong Kong." Boundary 2: An International Journal of Literature and Culture (Summer 1997), 24(2):30n6.

• Chow, Rey. "Where Have All the Natives Gone?" In Angelika Bammer, ed., Displacements: Cultural Identities in Question, pp. 131, 143-144, 147nn4, 7, 9, 148n16, 150. Theories of Contemporary Culture, 15. Bloomington & Indianapolis: Indiana University Press, 1994.

• Chow, Rey. "Where Have All the Natives Gone?" In Padmini Mongia, ed., Contemporary Postcolonial Theory: A Reader, pp. 127-128, 138-139, 142nn7, 19, 143n22, 144n40, 145n62. London & New York: Arnold, 1996.

• Chowdhury, Kanishka. "Afrocentric Voices: Constructing Identities, (Dis)placing Difference." College Literature (June 1997), 24(2):37, 44-45, 54.

• Chowdhury, Kanishka. "Postcolonial Longings." Modern Fiction Studies (Summer 2000), 46(2):499.
       Review of Dennis Walder’s Post-Colonial Literatures in English: History, Language, Theory, and Epifanio San Juan, Jr.’s, Beyond Postcolonial Theory.

• Chowdhury, Kanishka. Review of Rosemary Marangoly George’s The Politics of Home: Postcolonial Relocations and Twentieth-Century Fiction. Modern Fiction Studies (Summer 1998), 44(2):473.

• Chowdhury, Kanishka. "Revisioning History: Shashi Tharoor's The Great Indian Novel." World Literature Today (Winter 1995), 69(1):42, 48.
       This issue is entitled "Postmodernism/Postcolonialism."

• Chrisman, Laura. "Theorizing ‘Race’, Racism and Culture: Pitfalls of Idealist Tendencies." Paragraph: A Journal of Modern Critical Theory (March 1993), 16(1):90n4.
       This issue is entitled "Inequality/Theory I: Post-Colonialism, Racism and Cultural Difference," edited by Richard H. King and Patrick Williams.
  p;    Based on a conference held on July 6-8, 1992, sponsored by the School of Critical Theory at the University of Nottingham.

• Ciecko, Anne. "Representing the Spaces of Diaspora in Contemporary British Films by Women Directors." Cinema Journal (Spring 1999), 38(3):79, 89n39.

• Ciraulo, Dina. "Narrative Style in Oscar Micheaux's Within Our Gates." Wide Angle: A Quarterly Journal of Film History Theory Criticism & Practice (October 1998), 20(4):87, 91n8.

• Clark, Steve. "Introduction." In Steve Clark, ed.,Travel Writing and Empire: Postcolonial Theory in Transit, pp. 19, 24-25, 27. London & New York: Zed, 1999.

• Clark, Suzanne. "Discipline and Resistance: The Subjects of Writing and the Discourses of Instruction." College Literature (June 1991), 18(2):119, 130-132, 134.
       Special Issue on "Literary Theory in the Classroom."
       The epigraph of the article is a quote from Homi K. Bhabha's "Signs Taken for Wonders" (1985).

• Clausen, Christopher. "’National Literatures’ in English: Toward a New Paradigm." New Literary History (Winter 1994), 25(1):72n8.

• Cloud, Dana L. "The Limits of Interpretation: Ambivalence and the Stereotype in Spenser: For Hire." Critical Studies in Mass Communication (December 1992), 9(4):313, 314, 322, 323.

• Clunas, Craig. "Modernity Global and Local: Consumption and the Rise of the West." American Historical Review (December 1999), 104(5):1504.

• Cohen, Edward H. "Victorian Bibliography for 1998." Victorian Studies (Summer 1999), 42(4):802.

• Cohen, Josh. "'Disgrace of Revelation': I.B. Singer's Holocaust Impiety." Textual Practice (Winter 1998), 12(3):444, 456n3.

• Cohen, Monica. "From Home to Homeland: The Bohemian in Daniel Deronda." Studies in the Novel (Fall 1998), 30(3):352n18.

• Cohen, Susan D. "An Onomastic Double Bind: Colette’s Gigi and the Politics of Naming." PMLA: Publications of the Modern Language Association (October 1985), 100(5):806n8, 808.
       Refers to a 1983 MLA Convention lecture by Homi K. Bhabha entitled "Stereotype and Fantasy: The Ambivalence of Colonial Discourse."

• Colás, Santiago. "Of Creole Symptoms, Cuban Fantasies, and Other Latin American Postcolonial Ideologies." PMLA: Publications of the Modern Language Association of America (May 1995), 110(3):383, 384, 395.

• Cole, Catherine M. "Reading Blackface in West-Africa: Wonders Taken for Signs." Critical Inquiry (Fall 1996), 23(1):205.

• Cole, Cheryl L. "American Jordan: P.L.A.Y., Consensus, and Punishment." Socioliology of Sport Journal (1996), 13(4):391, 395n9.

• Cole, Sarah. "Conradian Alienation and Imperial Intimacy." Modern Fiction Studies (Summer 1998), 44 (2):263, 265, 279.

• Coleman, Daniel. "Immigration, Nation, and the Canadian Allegory of Manly Maturation." Essays on Canadian Writing (Spring 1997), 61:94, 100nn7, 8, 101.

• Colón, David. "Other Latino Poetic Method." Cultural Critique (2001), 47(1):268, 269, 270, 285.
       Homi K. Bhabha writes of postmodern identity in existing cultural contexts.

• Comer, Krista. "Revising Western Criticism through Wanda Coleman." Western American Literature (Winter 1999), 33(4):380n4, 381.

• Compton, Kaila Morris. Review of Rina Beymayor and Andor Skotnes, eds., Migration and Identity. American Ethnologist (February 1996), 23(1):150-151.

• Conger, Danielle E. "Toward a Native American Nationalism: Joel Barlow's The Vision of Columbus." New England Quarterly (December 1999), 72(4):576n25.

• Connery, Christopher Leigh. "The China Difference." Postmodern Culture (1992), 2(2).
       Review of Rey Chow’s Women and Chinese Modernity: The Politics of Reading Between East and West. http://muse.jhu.edu/journals/postmodern_culture/v002/2.2r_connery.html

• Constable, E.L. "Critical Departures: Salammbô's Orientalism." MLN: Modern Language Notes (September 1996), 111(4):628.

• Cooke, Miriam. "Multiple Critique: Islamic Feminist Rhetorical Strategies." Nepantla: Views from South (2000), 1(1):100, 109.

• Coombe, Rosemary J. "Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers." Cultural Anthropology (May 1996), 11(2):203, 206, 213, 220.

• Cooper, Pamela. "Imperial Topographies: The Spaces of History in Waterland." Modern Fiction Studies (Summer 1996), 42(2):380, 382, 383, 384, 385, 387, 390, 391n14, 395.
       This issue is on "Narrative and History."
       Observes that Homi K. Bhabha interprets hybridity in Foucauldian terms.

• Corbett, Mary Jean. "Another Tale to Tell: Postcolonial Theory and the Case of Castle Rackrent." Criticism: A Quarterly for Literature and the Arts (Summer 1994), 36(3):391, 399n13.

• Corbridge, Stuart. "Marxisms, Modernities, and Moralities: Development Praxis and the Claims of Distant Strangers." Enviornment & Planning D: Society & Space (August 1993), 11(4):469.

• Corbridge, Stuart. "Third World Development." Progress in Human Geography (October 1992), 16(4):586, 592.

• Corral, Wilfrido H. "Hacia una poética hispanoamericana de la novela decimonónica (I): El texto." MLN: Modern Language Notes (March 1995), 110(2):395n7, 412.

• Costigan, Lúcia Helena. "Exclusões (e inclusões) na literatura latino-americana: índios, negros e judeu. " Revista Iberoamericana (January-June 1998), 64(182-83):59-60n8, 73, 78.

• Cowlishaw, Gillian. "Introduction: Representing Racial Issues." Oceania (March 1993), 63(3):189, 194.

• Crais, Clifton. "Of Men, Magic, and the Law: Popular Justice and the Political Imagination in South Africa." Journal of Social History (Fall 1998), 32(1):70n42.

• Crais, Clifton C. "The Vacant Land: The Mythology of British Expansion in the Eastern Cape, South Africa." Journal of Social History (Winter 1991), 25(2):273nn51, 54.

• Crang, Mike. "Nation, Region and Homeland: History and Tradition in Dalarna, Sweden." Ecumene (October 1999), 6(4):465n1.

• Crang, Mike. "Globalization as Conceived, Perceived and Lived Species." Theory, Culture & Society (February 1999), 16(1):167-177.
       Review of A. Cvetkovich and D. Kellner, eds., Articulating the Global and Local: Globalization and Cultural Studies, P. Golding and P. Harris, eds., Beyond Cultural Imperialism: Globalization, Communication and the New International Order, K. Kumar’s From Post-industrial to Post-modern Society: New Theories of the Contemporary World, J. Eade, ed., Living the Global City: Globalization as Local Process, and Roger Silverstone, ed., Visions of Suburbia (1997).

• Cresap, Kelly. "Bisexuals, Cyborgs, and Chaos." Postmodern Culture (1996), 6(3).
       Review of Marjorie Garber’s Vice Versa: Bisexuality and the Eroticism of Everyday Life.

• Crinson, Mark. "Imperial Story-lands: Architecture and Display at the Imperial and Commonwealth Institutes." Art History (March 1999), 22(1):121, 123nn57, 58.

• Crofts, Stephen. "Reconceptualizing National Cinema(s)." Quarterly Review of Film and Video (Spring 1993), 14(3):63, 64, 65.
       This issue is on "Mediating the National," edited by Marcia Butzel and Ana M. López.

• Cronacher, Karen. "Unmasking the Ministrel Mask’s Black Magic in Ntozake Shange’s spell No.7." Theatre Journal (May 1992), 44(2):178-179, 188, 189, , 190, 191.

• Crooks, Robert. "From the Far Side of the Urban Frontier: The Detective Fiction of Chester Himes and Walter Mosley." College Literature (October 1995), 22(3):87n4, 88.
       Special Issue is on "Race and Politics: The Experience of African-American Literature."

• Crysler, C. Greig. "Critical Pedagogy and Architectural Education." Journal of Architectural Education (May 1995), 48(4):213, 215, 217nn41, 54.
       Critique of the transmission model of education which currently dominates architectural education.

• Cubano-Iguina, Astrid. "Political Culture and Male Mass-Party Formation in Late-Nineteenth-Century Puerto Rico." Hispanic American Historical Review (November 1998), 78(4):659-660n89.
       Recommends Homi K. Bhabha’s proposed method for contesting claims of cultural supremacy in his "Introduction: Narrating the Nation" in Nation and Narration (1990).

• Cubitt, Sean. "Video Art and Colonialism: An Other and Its Others." Screen (Autumn 1989), 30(4):71n9, 76.
       On Retrospectives of Bill Viola and June Paik Nam.

• Culler, Jonathan. "Anderson and the Novel." Diacritics: A Review of Contemporary Criticism (Winter 1999), 29(4):21n1, 38.

• Cullum, Jerry. "On Cultural Ownership and the Migration of Symbols: An Essay Containing Only One Quotation from Homi Bhabha." Art Papers (March/April 1997), 21:26-31.

• Cullum, Jerry. "On Cultural Ownership and the Migration of Symbols: An Essay Containing Only One Quotation from Homi Bhabha." Art Papers (May/June 1997), 21:31-37.

• Cummins, June. "The Resisting Monkey: ‘Curious George’, Slave Captivity Narratives, and the Postcolonial Condition." Ariel: A Review of International English Literature (January 1997), 28(1):78, 82n7, 83.
       This issue is entitled "Postcolonial/Postindependence Perspective: Children's and Young Adult Literature."
       Cites Homi K. Bhabha's discussion of the self-defeating nature of mimicry.

• Curti, Lidia. "Between Two Shores." In Iain Chambers and Lidia Curti, eds., The Post-Colonial Question: Common Skies, Divided Horizons, pp. 137, 141n45. London & New York: Routledge, 1996.

• Curtis, L. Perry, Jr. Review of Fintan Cullen’s Visual Politics: The Representation of Ireland, 1750-1930. Victorian Studies (Autumn 2000), 43(1):161.