Discussions of Homi K. Bhabha's Works: Eadie, Jo --- Esty, Joshua D.

Eddie Yeghiayan

• Eadie, Jo. "The Motley Crew: What’s at Stake in the Production of Bisexual Identity." Paragraph (March 1994), 17(1):20, 26n6.
       This issue is on "Inequality/Theory 2: Gender and Sexuality," edited by Cath Sharrock.

• Eagleton, Terry. Review of James Donald, ed., Psychoanalysis and Cultural Theory: Thresholds (1991), and Sarah Kofman’s Freud and Fiction. Literature & History [Third Series] (Fall 1992), 1(2):97-98.
       "There is a characteristically brilliant, deeply obscurantist piece by Bhabha on nation and psyche."

• Eakin, Emily. "Harvard's Prize Catch, A Delphic Postcolonialist." New York Times (November 17, 2001):A21, A23.

• Easthope, Anthony. "Bhabha, Hybridity and Identity." Textual Practice (Summer 1998), 12(2):341-348.

• Ebbatson, R. "'England, My England': Lawrence, War and Nation." Literature & History [Third Series] (Spring 2000), 9(1):67-68, 81nn2, 3.

• Ebert, Teresa L. "Political Semiosis in/of American Cultural Studies." American Journal of Semiotics (1991), 8(1-2):120, 132.

• Eckstein, Barbara. "Iconicity, Immersion and Otherness: The Hegelian ‘Dive’ of J.M. Coetzee and Adrienne Rich." Mosaic: A Journal for the Interdisciplinary Study of Literature (March 1996), 29(1):53-55, 76.

• Edmond, Rod. "Much Ado about Difference." Radical Philosophy (July-August 1995), 72:38-40.
       Review of Homi K. Bhabha’s The Location of Culture (1994), and Cornel West's Keeping Faith: Philosophy and Race in America.

• Edmondson, Laura. "National Erotica: The Politics of 'Traditional' Dance in Tanzania." TDR: The Drama Review (Spring 2001), 45(1) [169]:153, 168.

• Edmondson, Laura. "’Saving Whiteface’ in Tanzania: Intercultural Discomforts Theatre Topics (1999), 9(1):34, 38, 40, 41, 48.

• Edwards, Gavin. "Scott and Crabbe: A Meeting at the Border." Eighteenth Century Life (February 1998), 22(1):140n28.

• Edwards, Justin D. "Melville's Peep-Show: Sexual and Textual Cruises in Typee." Ariel: A Review of International English Literature (April 1999), 30(2):69, 73.
       Issue is on "Postcolonial and Queer Theory and Praxis."

• Egerer, Claudia. "Experiencing a Conference on Theory." New Literary History (Summer 1995), 26(3): 675, 676n16.

• Elliott, J.E. "From Language to Medium: A Small Apology for Cultural Theory as Challenge to Cultural Studies." New Literary History (Summer 1998), 29(3):391, 410n18.

• Elliott, J.E. "Paradigms Retained: Cultural Theory, Critical Practice." Comparative Literature (Winter 1998), 50(1):66, 90.

• Elliott, J.E. "What Was Cultural Studies? Learning the Uses of Error." Studies in the Literary Imagination (Spring 1998), 31(1):83n8, 84.
       Issue is entitled "Cultural Studies and the Pedagogical Imagination."

• Ellis, Juniper. Review of Homi K. Bhabha’s The Location of Culture (1994). Philosophy and Literature (April 1995), 19(1):196-197.

• Ellis, Reuben. "A Thousand Frontiers: An Introduction to Dialogue and the American West." Western American Literature (Summer 1998), 33(2):122, 124.

• Ellison, Julie. "A Short History of Liberal Guilt." Critical Inquiry (Winter 1996), 22(2):355.

• Elmer, Jonathan. "The Archive, the Native American, and Jefferson's Convulsions." Diacritics: A Review of Contemporary Criticism (Winter 1998), 28(4):20-21, 23.
       This issue is entitled "Trauma and Psychoanalysis."

• Emberley, Julia V. "A Historical Transposition: Toni Morrison's Tar Baby and Frantz Fanon's Post-Enlightenment Phantasms." Modern Fiction Studies (Summer 1999), 45(2):404, 413, 414, 422, 429n6, 430.

• Emery, Mary Lou. "Limbo Rock: Wilson Harris and the Arts of Memory." Callaloo: A Journal of African-American and African Arts and Letters (Winter 1995), 18(1):111, 116, 123.

• Emery, Mary Lou. "Robbed of Meaning: The Work at the Center of To the Lighthouse." Modern Fiction Studies (Spring 1992), 38(1):233.

• Eng, David L. "In the Shadows of a Diva: Committing Homosexuality in David Henry Hwang’s M. Butterfly." Amerasia Journal (Winter 1994), 20(1):115n54.
       Uses Homi K. Bhabha's notion of mimicry.

• England, Sarah. "Negotiating Race and Place in the Garifuna Diaspora: Identity Formation and Transnational Grassroots Politics in New York City and Honduras." Identities: Global Studies in Culture and Power (June 1999), 6(1):38, 46.
       Refers to Homi K. Bhabha’s view that there is no original moment at which identities were fixed.

• Entin, Joseph. "Modernist Documentary: Aaron Siskind's Harlem Document." Yale Journal of Criticism (Fall 1999), 12(2):368, 381nn28, 29.

• Epps, Brad. "Proper Conduct: Reinaldo Arenas, Fidel Castro, and the Politics of Homosexuality." Journal of the History of Sexuality (October 1995), 6(2):250n53.

• Erdogdu, Ayshe. "The Victorian Market for Ottoman Types." History of Photography (Fall 1999), 23(3):273n16.

• Erni, John Nguyet. "Of Desire, the Farang, and Textual Excursions: Assembling Asian AIDS." Cultural Studies (January 1997), 11(1):65, 76n2, 76.

• Esonwanne, Uzoma. "The Nation as Contested Referent." Research in African Literatures (Winter 1993), 24(4):59, 61.
       Special Issue in Memory of Josaphat Bekunuru Kubayanda.

• Esty, Joshua D. "Flann O’Brien’s At Swim-Two-Birds and the Post-Post Debate." Ariel: A Review of International English Literature (October 1995), 26(4):25, 44.
       Cites Stephen Slemon's claim that the trope of "reiteratiive quotation" is where Jameson's postmodern pastiche meets Homi K. Bhabha's postcolonial mimicry.