Eddie Yeghiayan
Ha, Marie-Paule. "The Cultural Other in Malraux's
Asian Novels." French Review
(October 1997), 71(1):33, 38, 43.
Analyzes some of Malraux's characters in
Homi K. Bhabha's terms of "colonial mimicry."
Hack, Daniel. "Inter-Nationalism, Castle Rackrent and Anglo-Irish Union." Novel: A Forum on Fiction (Winter 1996), 29(2):147n5, 161n28, 163.
Hai, Ambreen. "Border Work, Border Trouble: Postcolonial Feminism and the Ayah in Bapsi Sidhwa's Cracking India." Modern Fiction Studies (Summer 2000), 46(2):380, 387, 416n2, 418n8, 423.
Hai, Ambreen. " On Truth and Lie in a Colonial Sense: Kipling's Tales of Tale-telling." ELH: English Literary History (Summer 1997), 64(2):604, 621n4, 622n14.
Haines, Brigid. "'New Places from which to Write Histories of Peoples': Power and the Personal in the Novels of Libuse Moníkova." German Life and Letters (October 1996), 49(4):501n2.
Halberstam, Judith. "Technologies of Monstrosity: Bram Stoker’s Dracula." Victorian Studies: An Interdisciplinary Journal of Social, Political and Cultural Studies (Spring 1993), 36(3):350n4, 351.
Haldane, John. "Anish
Kapoor." Burlington Magazine (July 1998), 140(1144):493-494.
Review of an exhibition catalogue by
Homi K. Bhabha, and Pier Tazzi,
Anish Kapoor. Berkeley: University of California
Press, 1998 and an Exhibition held in London,
at the Hayward Gallery, 30 April-14 June 1998.
Hale, Charles R. "Cultural Politics of Identity in Latin America." Annual Review of Anthropology (1997), 26:581, 585.
Hale, Friedrick. "Urban Apartheid and Racial Stereotypes in Gunnar Helander’s Storstadsneger." Scandinavian Studies (Winter 1994), 66(1):69-71, 89, 90.
Halkias, Alexandra. "Give Birth for Greece! Abortion and Nation in Letters to the Editor of the Mainstream Greek Press." Journal of Modern Greek Studies (May 1998), 16(1):132n8, 134.
Hall, Catherine. "Histories, Empires and the Post-Colonial Moment." In Iain Chambers and Lidia Curti, eds., The Post-Colonial Question: Common Skies, Divided Horizons, pp. 70, 76. London & New York: Routledge, 1996.
Hall, Gary and Simon Wortham. "Rethinking Authority: Interview with Homi K. Bhabha." Angelaki: A New Journal in Philosophy, Literature, and the Social Sciences (1996), 2(2):59-63.
Hall, Lynda. "Passion(ate) Plays ‘Wherever We Found Space’: Lorde and Gomez Queer(y)ing Boundaries and Acting in." Callaloo (Winter 2000), 23(1):405, 420.
Hall, Stuart. "Cultural Identity and Diaspora." In Padmini Mongia, ed., Contemporary Postcolonial Theory: A Reader, pp. 118, 121n10. London & New York: Arnold, 1996.
Hall, Stuart. "When was ‘The Post-Colonial’? Thinking at the Limit." In Iain Chambers and Lidia Curti, eds., The Post-Colonial Question: Common Skies, Divided Horizons, pp. 249, 251, 259. London & New York: Routledge, 1996.
Hallward, Peter. "The Singular and the Specific: Recent French Philosophy." Radical Philosophy: A Journal of Socialist and Feminist Philosophy (January-February 2000), 99:7, 9, 16n12.
Hampton, Timothy. "On the Border: Geography, Gender, and Narrative Form in the Heptaméron." Modern Language Quarterly (December 1996), 57(4):520n5.
Handelsman, Michael. "Las contradicciones ineludibles del 'no-racismo' ecuatoriano: a propósito de Juyungo como artefacto de la diáspora afroamericana." Chasqui: Revista de Literatura Latinoamericana (May 1998), 27(1):81, 88, 89, 90.
Hanlon, David. "Islam and Stereotypical Discourse in Medieval Castile and León." Journal of Medieval and Early Modern Studies (Fall 2000), 30(3):480, 481, 488, 501n4, 502n18-20, 503n24, 504n41.
Hansen, Miriam. "Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship." Cinema Journal (Summer 1986), 25(4):24, 32n61.
Hansen, Peter H. "The Dancing Lamas of Everest: Cinema, Orientalism, and Anglo-Tibetan Relations in the 1920s." American Historical Review (June 1996), 101(3):744n91.
Hapgood, Susan. "The Whitney: How American Is It?" Art in America (September 1991), 79(9):115, 117n35.
Hardin, Joe Marshall. "A Language of Possibility: A Response to Homi Bhabha" JAC: A Journal of Composition Theory (1999), 19(1):135-138.
Hardy, Linda. "The Ghost of Katherine Mansfield." Landfall: A New Zealand Quarterly (December 1989), 43(4):419-420, 423, 432nn7, 8.
Hardy, Linda. "The Ghost of Katherine Mansfield." In Rhoda B. Nathan, ed., Critical Essays on Katherine Mansfield, pp. 78-79, 82, 89nn7, 8. Critical Essays on British Literature. New York: G. K. Hall, 1993.
Harper, Phillip Brian. "Take Me Home’: Location, Identity, Transnational Exchange." Callaloo (Winter 2000), 23(1):464, 477.
Harris, Hilary. "Failing ‘White Woman’: Interrogating the Performance of Respectability." Theatre Journal (May 2000), 52(2):205, 206n65, 208.
Harris, Roxy. "Openings, Absences and Omissions: Aspects of the Treatment of Race, Culture and Ethnicity in British Cultural Studies." Cultural Studies (May 1996), 10 (2):343.
Harrow, Kenneth W. "Manthia Diawara's Rouch in Reverse: An Interstitial Perspective." Critical Arts: A Journal of Cultural Studies (1999), 13(1):42-44, 67.
Harrow, Kenneth W. "Under the Cover of the Way: A Feminist Reading of Hampaté Bâ's Kaïdara." Research in African Literatures (Fall 2000), 31(3):26.
Hart, Jonathan. "The Ever-changing Configurations of Comparative Literature." Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée (March-June 1992), 19(1-2):3, 18.
Hart, Jonathan. "New Historical Shakespeare: Reading as Political Ventriloquy." English: The Journal of the English Association (Autumn 1993), 42(174):219n13.
Hart, Laurie Kain. "Culture, Civilization, and Demarcation at the Northwest Borders of Greece." American Ethnologist (February 1999), 26(1):214n25, 216.
Harth, Dietrich. "Nomadisierende Schreibweisen und Lesarten des Fremden." Neue Rundschau (1994), 105(4):64.
Hart, Lynda. "Karen Finley's Dirty Work: Censorship Homophobia, and the NEA." Genders (Fall 1992), 14:4-5, 14nn13-15.
Hartnett, Stephen. "Michel de Certeau's Critical Historiography and the Rhetoric of Maps." Philosophy and Rhetoric (1998), 31(4):299n12, 300.
Harvie, Jennifer. "The Real Nation? Michel Tremblay, Scotland, and Cultural Translatability." Theatre Research in Canada/Recherches Théâtrales au Canada (Spring-Fall 1995), 16(1-2):14, 21nn13, 14, 23.
Hasseler, Terri A. "Identity and Imperial/Cinematic Gazing in Morag Murray Abdullah's My Khyber Marriage." NWSA Journal (Summer 2000), 12(2):74.
Hastings, Tom. "Said’s Orientalism and the Discourse of (Hetero)sexuality." >Canadian Review of American Studies/Revue Canadienne d’Études Américaines (Fall 1992), 23(1):139, 146.
Hebard, Andrew. "Disruptive Histories: Toward a Radical Politics of Remembrance in Alain Resnais's Night and Fog." New German Critique: An Interdisciplinary Journal of German Studies (Spring-Summer 1997), 71:103, 107.
Heble, Ajay. "'Rumours of
Topography': The Cultural Politics of Michael Ondaatje’s Running in the Family." Essays
on Canadian Writing (Summer 1994), 53:191, 201.
Cites Homi K. Bhabha's claim that magic
realism is "the literary language of the ermergent post-colonial world."
This is a Michael Ondaatje Issue.
Heller, Ben A. "Landscape, Femininity, and Caribbean Discourse." MLN: Modern Language Notes (March 1996), 111(2):397, 415.
Heller, Lee E. "Made in
the USA: The Construction of Academic Knowledge and the Limits of National
Culture." Poetics Today: International Journal for Theory and Analysis of Literature and
Communication (Fall 1998), 19(3):339, 354.
Quotes the following from Homi K. Bhabha
on the the power of the myth of nationhood: "an idea whose cultural
compulsion lies in the impossible unity of the nation as a symbolic
force."
Hendley, Matthew. Review of Rita S. Kranidis’ The Victorian Spinster and Colonial Emigration: Contested Subjects. Canadian Journal of History/Annales Canadiennes d’Histoire (April 2000), 35(1):166.
Henighan, Stephen. "Two Paths to the Boom: Carpentier, Asturias and the Performative Split." Modern Language Review (October 1999), 94(4):1011-1012
Herrmann, Gina. "Amazonic Ambivalence in Imperial Potosí." MLN: Modern Language Notes (March 1999), 114(2):322, 339.
Herron, Jerry. "Public
Intellectuals and Intellectual Publicity." Western Humanities Review (Summer 1997),
51(2):204-205, 208n10, 208.
Quotes from Homi K. Bhabha’s "Black
& White and Read All Over" (1995).
Herzog, Todd. "Hybrids and Mischlinge: Translating Anglo-American Cultural Theory into German." German Quarterly (Winter 1997), 70(1):1, 4, 11, 15, 16nn3-6, 17nn43, 53.
Heschel, Susannah. "Revolt of the Colonized: Abraham Geiger's Wissenschaft des Judentums as a Challenge to Christian Hegemony in the Academy." New German Critique: An Interdisciplinary Journal of German Studies (Spring-Summer 1999), 77:64.
Heslop, Jackie. "Narrating
the Subject: Cultural Studies and Postmodernism." University of Toronto Quarterly: A Canadian Journal of the
Humanities (Spring 1996), 65(2):386,
392nn67-69, 71.
Issue is on "Cultural Studies:
Disciplinarity and Divergence," edited by Faye Pickrem and Linda
Hutcheon.
Hever, Hannan. "The
'Other' Will Arrive Tomorrow." (Translated by Chaya Amir) Contemporary Theatre Review (1995),
3(2):98, 101.
On Nathan Shacham’s Play They’ll Arrive Tomorrow.
"This issue is on "Palestinians and
Israelis in the Theatre," edited by Dan Urian.
Hever, Hannan. ''’Our Poetry Is Like an Orange Grove'': Anthologies of Hebrew Poetry in Erets Israel." Prooftexts: A Journal of Jewish Literary History (May 1997), 17(2):224n3.
Higdon, David Leon. "Current Conrad Bibliography (1984-1986)." Conradiana: A Journal of Joseph Conrad Studies (Fall 1987), 19(3):216.
Hight, Eleanor M. Review of James R. Ryan’s Picturing Empire: Photography and the Visualization of the British Empire. Victorian Studies (Spring 2000), 42(3): 570.
Hill, Janice E. "Purging a
Plate Full of Colonial History: The Nervous
Conditions of Silent Girls." College
Literature (February 1995), 22(1):83, 90.
On Tsitsi Dangarembga’s novel Nervous Conditions.
Issue is entitled "Third World Women's
Inscriptions."
Hitchcock, Peter. "Antillanité and the Art of Resistance." Research in African Literatures (Summer 1996), 27(2):38, 42, 49n7, 50.
Hitchcock, Peter. "’It
Dread Inna Inglan’: Linton Kwesi Johnson, Dread, and Dub Identity."
Postmodern Culture (1993), 4(1).
http://muse.jhu.edu/journals/postmodern_culture/v004/4.1hitchcock.html
Hitchcock, Peter. "Passing: Henry Green, and Working-Class Identity." Modern Fiction Studies (Spring 1994), 40(1):13, 29n17.
Hodgdon, Barbara.
"Replicating Richard: Body Doubles, Body
Politics." Theatre Journal (May 1998), 50(2):209.
Issue is on "Shakespeare and
Theatrical Modernisms."
Hodne, Barbara and Helen Hoy. "Reading from the Inside Out: Studying Jeannette Armstrong’s Slash." WLWE: World Literature Written in English (Spring 1992), 32(1):80, 86.
Hogan, Patrick Colm. "Beauty, Politics, and Cultural Otherness: The Bias of Literary Difference." In Patrick Colm Hogan and Lalita Pandit, eds., Literary India: Comparative Studies in Aesthetics, Colonialism, and Culture, pp. 7, 39. SUNY Series in Hindu Studies. Albany: State University of New York Press, 1995.
Hogan, Patrick Colm and Lalita Pandit. "Introduction." In Patrick Colm Hogan and Lalita Pandit, eds., Literary India : Comparative Studies in Aesthetics, Colonialism, and Culture, pp. xiii, xv, xvi. SUNY Series in Hindu Studies. Albany: State University of New York Press, 1995.
Hohnsträter, Dirk. "Homi K. Bhabhas Semiotik der Zwischenräume -- Eine überzeugende Konzeptualisierung interkultureller Konflikte? " Arcadia: Zeitschrift für Allgemeine und Vergleichende Literaturwissenschaft (1996), 31(1-2):62-68.
Holden, Philip. "Colonial Fiction, Hybrid Lives: Early Singaporean Fiction in The Straits Chinese Magazine." Journal of Commonwealth Literature (1998), 33(1):94, 97n25.
Holden, Philip. "Halls of
Mirrors: Mimicry and Ambivalence in Kipling's Boer War Short
Stories." Ariel: A Review of International
English Literature
(October 1997), 28(4):92-93, 108.
This issue is entitled "China &
Postcolonialism."
Holden, Philip. "Love, Death and Nation: Colonialism, Fiction: Representing Amok in British Malaya." Literature & History [Third Series] (Spring 1997), 6(1):44, 46, 49, 58, 59n11, 60n27, 62nn43, 56.
Holguín, Fernando Valerio. "En el tiempo de las mariposas de Julia Alvarez: una reinterpretación de la historia." Chasqui: Revista de Literatura Latinoamericana (May 1998), 27(1):98, 101.
Holland, Catherine A. "After Antigone: Women, the Past, and the Future of Feminist Political Thought." American Journal of Political Science (October 1998), 42(4):1115n3, 1130.
Hollinger, David A.
"Authority, Solidarity, and the Political
Economy of Identity: The Case of the United States." Diacritics: A Review of Contemporary Criticism (Winter 1999), 29(4): 116, 127.
The issue is entitled "Grounds of
Comparison: Around the Work of Benedict Anderson," edited by Pheng
Cheah and Jonathan Culler.
Hollinger, David A. "National Culture and Communities of Descent." Reviews in American History (March 1998), 26(1):326n2.
Hollinger, David A. "National Solidarity at the end of the Twentieth Century: Reflections on the United States and Liberal Nationalism." Journal of American History (September 1997), 84 (2):567, 568n24.
Hollinshead, Keith. "Tourism, Hybridity, and Ambiguity: The Relevance of Bhabha's 'Third Space' Cultures." Journal of Leisure Research (Winter 1998), 30(1):121-156.
Holmlund, Christine Anne. "Displacing Limits of Difference, Gender, Race, and
Colonialism in Edward Said, and Homi Bhabha, Theoretical Models and
Marguerite Duras’s Experimental Films." Quarterly Review of Film and Video (May-October 1991), 13(1-3):1-22.
This issue is on "Discourse of the
Other: Postcoloniality, Positionality, and Subjectivity," edited by
Hamid Naficy and Teshome H. Gabriel.
Hon, Tze-Ki. "Ethnic and Cultural Pluralism: Gu Jiegang’s Vision of a New China in His Studies of Ancient History." Modern China (July 1996), 22(3):337n16, 337.
Hooper, Glenn. "History, Historiography and Self in Ngugi's Petals of Blood." Journal of Commonwealth Literature (Spring 1998), 33(1):51, 61nn9, 10.
Horne, Dee. "Listening to Silences in Ruby Slipperjack's Silent Words." Studies in Canadian Literature/Études en Littérature Canadienne (1998), 23(2):136n4, 137.
Horne, Dee. "To Know the Difference: Mimicry, Satire, and Thomas King’s Green Grass, Running Water." Essays on Canadian Writing (Fall 1995), 56:255, 256-257, 272.
Horowitz, Daniel. Review of Keith Beattie’s The Scar That Binds: American Culture and the Vietnam War. Labor History (November 1999), 40(4):563.
Horwitz, Howard. "Maggie and the Sociological Paradigm." American Literary History (Winter 1998), 10(4):628, 630-632, 635.
Hosokawa, Shuhei. "'Salsa no tiene frontera': Orquesta de la Luz and the Globalization of Popular Music." Cultural Studies: Theorizing Politics, Politicizing Theory (July 1999), 13(3):519, 532.
Hovey, Jaime. ''’Kissing a Negress in the Dark’: Englishness as a Masquerade in Woolf's Orlando." PMLA: Publications of the Modern Language Association of America (May 1997), 112(3):403n16, 403.
Hovey, Jaime. "Sapphic Primitivism in Gertrude Stein’s Q.E.D." Modern Fiction Studies (Fall 1996), 42(3):549, 567.
Howarth, William. "Imagined Territory: The Writing of Wetlands." New Literary History (Summer 1999), 30(3):535n19.
Howe, Nicholas. Review of Christine Loflin's African Horizons: The Landscapes of African Fiction. Research in African Literatures (Spring 2001), 32(1):142.
Howe, Stephen. "The Colony
Club." New Statesman & Society
(February 25, 1994), 7(292):40.
Review of Homi K. Bhabha’s The Location of Culture (1994) and Gayatri
Chakravorty Spivak’s Outside in the Teaching
Machine.
Hoy, Helen. "’Nothing but the Truth’: Discursive Transparency in Beatrice Culleton." Ariel: A Review of International English Literature (January 1994), 25(1):181n21, 182.
Huggan, Graham. "Decolonizing the Map: Post-Colonialism, Post-Structuralism and the Cartographic Connection." Ariel: A Review of International English Literature (October 1989), 20(4):116-117, 119, 129.
Huggan, Graham. "Decolonizing the Map: Post-Colonialism, Post-Structuralism and the Cartographic Connection." In Ian Adam and Helen Tiffin, eds., Past the Last Post: Theorizing Post-Colonialism and Post-Modernism, pp. 126, 128. Calgary: University of Calgary Press, 1990.
Huggan, Graham. "Is the
(Günter) Grass Greener on the Other Side? Oskar and Lucinde in the
New World." WLWE: World Literature Written in
English (Spring 1990), 30(1):9n2, 10.
Tha author expresses an indebtedness to
Homi K. Bhabha’s discussion of the ambivalence inscribed into colonial
discourse that disrupts the categorial distinction between
"self" and "other."
Huggan, Graham. "Orientalism Reconfirmed: Stereotypes of East-West Encounter in Janette Turner Hospital’s The Ivory Swing and Yvon Rivard’s Les Silences du corbeau." Canadian Literature (Spring 1992), 132:54n2, 55.
Huggan, Graham. The Postcolonial Exotic: Marketing the Margins, pp. 4, 13, 18, 21, 26, 32, 88, 92, 103, 202, 206, 237, 258, 261, 267n13, 286-287n17, 293. London & New York: Routledge, 2001.
Huggan, Graham. "Prizing 'Otherness’: A Short History of The Booker." Studies in the Novel (Fall 1997), 29(3):427, 433n45.
Huggan, Graham. "Some Recent Australian Fictions in the Age of Tourism, Murray Bail, Inez Baranay, Gerard Lee." Australian Literary Studies (October 1993), 16(2):175, 177.
Huggan, Graham. "A Tale of Two Parrots: Walcott, Rhys, and the Uses of Colonial Mimicry." Contemporary Literature (Winter 1994), 35(4):644-645, 659.
Huggan, Graham. "V.S. Naipaul, and the Political Correctness Debate." College Literature (October 1994), 21(3):204, 206.
Hughson, John. "
Football, Folk Dancing Fascism: Diversity and Difference in Multicultural
Australia." Australian and New Zealand
Journal of Sociology (August 1997), 33(2):167, 181-182, 184.
Cites and uses Homi K. Bhabha’s
distinction between cultural diversity and cultural difference.
Huk, Romana. "In AnOther's Pocket: The Address of the ‘Pocket Epic’ in Postmodern Black British Poetry." Yale Journal of Criticism (Spring 2000), 13(1):36, 46n46.
Hulme, Peter. "Polytropic Man: Tropes of Sexuality and Mobility in Early Colonial Discourse." In Francis Barker, Peter Hulme, Margaret Iversen and Diana Loxley, eds., Europe and Its Others, Volume Two, p. 29n32. Proceedings of the Essex Conference of the Sociology of Literature, July, 1984. Colchester: University of Essex, 1985.
Humphries, Reynold. "The Discourse of Colonialism: Its Meaning and Relevance for Conrad’s Fiction." Conradiana: A Journal of Joseph Conrad Studies (Summer 1989), 21(2):113, 132n18.
Hunt, Nancy Rose.
"Domesticity and Colonialism in
Belgian Africa: Usumbura’s Foyer Social, 1946-1960."
Signs: Journal
of Women in Culture and Society
(Spring 1990), 15(3):469, 470n120.
Cites Homi K.
Bhabha’s "Of Mimicry and Man" (1984).
Hussain, Azfar. "Joy Harjo and Her Poetics as Praxis: A ‘Postcolonial’ Political Economy of the Body, Land, Labor, and Language." Wicazo Sa Review: A Journal of Native American Studies (Fall 2000), 15(2):28.
Hutcheon, Linda. "'Circling the Downspout of Empire': Post-Colonialism and
Postmodernism." Ariel: A Review of
International English Literature (October 1989),
20(4):161-162, 172.
This issue is entitled "Post-Colonialism
and Post-Modernism."
Hutcheon, Linda. "Circling the Downspout of Empire." In Ian Adam and Helen Tiffin, eds., Past the Last Post: Theorizing Post-Colonialism and Post-Modernism, pp. 176-177, 184. Calgary: University of Calgary Press, 1990.
Hutcheon, Linda. "Interventionist Literary Histories: Nostalgic, Pragmatic,
or Utopian?"
Modern Language Quarterly: A Journal of Literary
History (December 1998), 59(4):402n4,
403-404.
Quotes the following from Homi K.
Bhabha's essay "Editor's Introduction: Minority Maneuvers and Unsettled
Negotiations" (1997):
"The (relative) sovereignty of the nation-state and the assumed unity of
national cultures, upon which such a perspective is based, are both
fundamentally disturbed when the core areas turn into multivalent and
ambivalent networks that project the periphery internally. Global
migration acquires a new historical and theoretical importance in the
post- or transnational context."
Hutcheon, Linda. "Introduction: Colonialism and the Postcolonial Condition:
Complexities Abounding." PMLA: Publications
of the Modern Language Association of America (January 1995), 110(1):8, 11, 13n9, 13-14.
Special Topic: "Colonialism and the
Postcolonial Condition."
Hutcheon, Linda and Michael Hutcheon. "Otherhood Issues, Post-National Operatic Narratives." Narrative: The Journal of the Society for the Society of Narrative Literature (January 1995), 3(1):13n1, 16.
Hutchings, Kevin D. "Writing Commerce and Cultural Progress in Samuel Hearne's
A Journey to the Northern Ocean." Ariel: A Review of International English Literature
(April 1997), 28(2):51, 77.
Some remarks by Homi K. Bhabha suggest
that discursive authority is a performative process.
Hutnyk, John. "Adorno at Womad: South Asian Crossovers and the Limits of Hybridity-Talk." In Pnina Werbner and Tariq Modood, eds., Debating Cultural Hybridity: Multi-Cultural Identities and the Politics of Anti-Racism, pp. 120, 123, 135. Postcolonial Encounters. London & Atlantic Highlands, NJ: Zed Books, 1997.
Hutnyk, John. "Media, Research, Politics, Culture." Review of Marie Gillespie’s Television, Ethnicity and Cultural Change. Critique of Anthropology (December 1996), 16(4):418, 428.
Hyndman, Jennifer. "A Post-Cold War Geography of Forced Migration in Kenya and Somalia." Professional Geographer (February 1999), 51(1):105, 113.