Discussions of Homi K. Bhabha's Works: Kalpagam, U. --- Kwon, Miwon

Compiled by

Eddie Yeghiayan

• Kalpagam, U. "The Colonial State and Statistical Knowledge." History of the Human Sciences(May 2000), 13(2):43, 53.

• Kamboureli, Smaro. "Canadian Ethnic Anthologies: Representations of Ethnicity." Ariel: A Review of International English Literature (October 1994), 25(4):23, 42, 50.

• Kandé, Sylvie. "From Bandiagara to Paris: Reflections on the Travels of a Dogon Sign." Research in African Literatures (Winter 2000), 31(4):25, 27.

• Kanneh, Kadiatu. "Place, Time and the Black Body: Myth and Resistance." Oxford Literary Review (1991), 13(1-2):146, 149, 151, 162nn22, 29, 163n36.
       Issue is on "Neocolonialism," edited by Robert J.C. Young.

• Kapchan, Deborah A. and Pauline Turner Strong. "Theorizing the Hybrid: Editorial." Journal of American Folklore (Summer 1999) , 112(445):242, 245, 252.
       This issue is entitled "Theorizing the Hybrid," edited by Deborah A. Kapchan and Pauline Turner Strong.

• Kaplan, Amy. "Commentary: Domesticating Foreign Policy." Diplomatic History (Winter 1994), 18(1):103n8.

• Kaplan, Carla. "Undesirable Desire: Citizenship and Romance in Modern American Fiction." Modern Fiction Studies (Spring 1997), 43(1):161, 167.

• Kaplan, E. Ann. "The Couch Affair: Gender and Race in Hollywood Transference." American Imago: Studies in Psychoanalysis and Culture (Winter 1993), 50(4):483, 512.
       Citing Homi K. Bhabha, Gayatri Chakravorty Spivak, and Trinh T Minh-ha, observes that more research using psychoanalytic concepts in relation to race has been done by literary scholars working on post-colonialism than by clinicians.

• Kaplan, Martha and John D. Kelly. "On Discourse and Power: ‘Cults’ and ‘Orientals’in Fiji." American Ethnologist (November 1999), 26(4):856, 862.

• Kapur, Geeta. "When Was Modernism in Indian/Third-World Art?" South Atlantic Quarterly (Summer 1993), 92(3):483, 513n3.
       Issue is on "Postmodernism: Center and Periphery," edited by Desiderio Navarro.

• Kaul, Suvir. "Colonial Figures and Postcolonial Reading." Diacritics: A Review of Contemporary Criticism (Spring 1996), 26(1):76n2.
       Review of Jenny Sharpe’s Allegories of Empire: The Figure of Woman in the Colonial Text and Sara Suleri’s The Rhetoric of English India.

• Kaup, Monika. "West Indian Canadian Writing: Crossing the Border from Exile to Immigration." Essays on Canadian Writing (Winter 1995), 57:191.

• Kaur, Raminder and Partha Banerjea. "Jazzgeist: Racial Signs of Twisted Times." Theory Culture & Society (June 2000), 17(3):161, 178.

• Kazan, Francesca. "Recalling the Other Third World, Nuruddin Farah’s Maps." Novel: A Forum on Fiction (Spring 1993), 26(3):254n5, 265.

• Kelertas, Violeta. "Perceptions of the Self and the Other in Lithuanian Postcolonial Fiction." World Literature Today (Spring 1998), 72(2):258, 261nn13, 14.

• Kelleher, Margaret. "Anthony Trollope’s Castle Richmond: Famine Narrative and ‘Horrid Novel’?" Irish University Review: A Journal of Irish Studies (Fall-Winter 1995), 25(2):248, 249.

• Kellman, Steven G. "Mulling Trilling." Hopscotch: A Cultural Review (2001), 2(2):138.
       Review of John Rodden, ed., Lionel Trilling and the Critics: Opposing Selves.

• Kellogg, David. "Kinsella, Geography, History." South Atlantic Quarterly (Winter 1996), 95(1):151, 167nn20, 21.
       Refers to Homi K. Bhabha's remark about the long shadow that Heart of Darkness casts over postcolonial studies.
       Special Issue on "Ireland and Irish Cultural Studies," edited by John Paul Waters.

• Kelly, Philip F. "The Geographies and Politics of Globalization." Progress in Human Geography (September 1999), 23(3):392, 397.

• Kemp, Mark A.R. "The Marble Faun and American Postcolonial Ambivalence." Modern Fiction Studies (Spring 1997), 43(1):231n5, 235.
       Issue is on "National and Postnational Narratives," edited by Donald E. Pease.

• Kennedy, Liam. "'It's the Third World Down There!': Urban Decline and (Post)National Mythologies in Bonfire of the Vanities." Modern Fiction Studies (Spring 1997), 43(1):109, 110.
       Issue is on "National and Postnational Narratives," edited by Donald E. Pease.

• Kent, Eliza F. "Tamil Bible Women and the Zenana Missions of Colonial South India." History of Religions (November 1999), 39(2):175n37.

• Kent, Kathryn R. "’Single White Female': The Sexual Politics of Spinsterhood in Harriet Beecher Stowe's Oldtown Folks." American Literature (March 1997), 69(1):41, 61nn14, 15.
       This issue is entitled "Unnatural Formations," and is edited by Michael Moon.

• Kertzer, Jon. "Destiny into Chance: S.J. Duncan's The Imperialist and the Perils of Nation Building." Studies in Canadian Literature/Études en Littérature Canadienne (1999), 24(2):31n4, 32.

• Khan, Shahnaz. "Muslim Women: Negotiations in the Third Space." Signs: Journal of Women in Culture and Society (Winter 1998), 23(2):464, 465, 466, 470n13, 471, 473, 488, 491, 492.

• Khanna, Ranjana. Review of Emily S. Apter’s Continental Drift: From National Characters to Virtual Subjects. Modern Language Quarterly (December 2000), 61(4):693.

• Kietzman, Mary Jo. "Montagu's Turkish Embassy Letters and Cultural Dislocation." Studies in English Literature 1500-1900 (Summer 1998), 38(3):549, 550n17, 551nn25, 34.

• Kilgore, De Witt Douglas. "Changing Regimes: Vonda N. McIntyre's Parodic Astrofuturism." Science-Fiction Studies (July 2000), 27(2) [81]:272n3, 275.

• King, C. Richard. "Introduction." In C. Richard King, ed., Postcolonial Africa, pp. 2-3. Urbana & Chicago: University of Illinois Press, 2000.

• King, Richard. "Orientalism and the Modern Myth of ‘Hinduism’." Numen: International Review for the History of Religions (1999), 46(2):150.
       Cites Homi K. Bhabha’s "Signs Taken for Wonders" (1985).

• Kingwell, Mark. "The Banality of Evil, The Evil of Banality." Queen’s Quarterly (Fall 1999), 106(3):359, 365n12.

• Kissick, Gary. "They Turn on Larkin." Antioch Review (Winter 1994), 52(1): 67.

• Kitson, Peter J. ‘"’Bales of Living Anguish’: Representations of Race and the Slave in Romantic Writing." ELH: English Literary History (Summer 2000), 67(2):517, 527, 528, 533n12, 536nn59, 61.

• Klein, Cecelia F. "Editor's Statement: Depictions of the Dispossessed." Art Journal (Summer 1990), 49(2):107, 109n15.
       Cites Homi K. Bhabha's "Of Mimicry and Man" (1984) and "Signs Taken for Wonders" (1985).

• Klimt, Andrea. "Enacting National Selves: Authenticity, Adventure, and Disaffection in the Portuguese Diaspora." Identities: Global Studies in Culture and Power (January 2000), 6(4):513, 515, 547.
       The epigraph of this article is a quote from Homi K. Bhabha’s article "Frontlines/Borderposts" (1994).

• Knaller, Susanne. "Scattered Voices: Some Remarks on a Narrative Theory of Postcolonial Storytelling." Germanic Review (Spring 1999), 74(2):105, 109, 110, 114n34, 115nn52-56, 58-61.
       Translated by Joe Compton.

• Knippling, Alpana Sharma. "Inside Out, Outside In: Cultural Politics in the Films of Pratibha Parmar." In C.W. Spinks and John Deely, eds., Semiotics 1995, pp. 210, 213. Proceeedings of 20th Annual Meeting of Semiotic Society of America, October 19-22, 1995. New York: Lang, 1996.

• Knippling, Alpana Sharma. "On Empire, Time, History: Or, What Does the Post- in Postcolonial Signify?" In Robert S. Corrington and John Deely, eds., Semiotics 1993, pp. 250, 251-253, 254. Proceedings of 18th Annual Meeting of Semiotic Society of America, October 21-24, 1993. New York: Lang, 1995.

• Knoenagel, Axel. Review of Homi K. Bhabha’s Nation and Narration (1990). International Fiction Review (1992), 19(2):113-114.

• Knowles, Richard Paul. "Focus, Faithfulness, Shakespeare, and The Shrew: Directing as Translation as Resistance." Essays in Theatre/Études Théâtrales (November 1997), 16(1):34, 46nn8, 10, 51.
       Refers to Homi K. Bhabha’s "Of Mimicry and Man" (1984) and "Signs Taken for Wonders" (1985).

• Koepnick, Lutz P. "Consuming the Other: Identity, Alterity, and Contemporary German Cinema." Camera Obscura (2000), 15(2):64.

• Kom, Ambroise. Review of Christopher L. Miller’s Nationalists and Nomads: Essays on Francophone African Literature and Culture. Research in African Literatures (2000), 31(3):177.

• Kondo, Dorinne. "(Re)Visions of Race: Contemporary Race Theory and the Cultural Politics of Racial Crossover in Documentary Theatre." Theatre Journal (March 2000), 52(1):84n7, 101.
       Refers to Homi K. Bhabha’s notion of "third space."

• Kontje, Todd. "Passing for German: Politics and Patriarchy in Kleist, Körner, and Fischer." German Studies Review (February 1999), 22(1):79, 82.

• Konzett, Delia Caparoso. "Administered Identities and Linguistic Assimilation: The Politics of Immigrant English in Anzia Yezierska's Hungry Hearts." American Literature: A Journal of Literary History, Criticism, and Bibliography (September 1997), 69(3):597, 614, 616n13, 619nn47, 49, 50.

• Köpping, Klaus. "Ritual Transgression Between Primitivism and Surrealism: Tauromachia and the Ethnographic Imagination." World of Music (1998), 40(1):29, 33.

• Korff, Gottfried. "Volkskunst: ein mythomoteur?" Schweizerisches Archiv für Volkskunde (1996), 92(2):223, 232n20.

• Koritz, Amy. "Dancing the Orient for England: Maud Allan’s ‘The Vision of Salome’." Theatre Journal (March 1994), 46(1):64n3, 68, 77.
       Says that Homi K. Bhabha’s discussion of the ambivalences of colonial discourse acts as a corrective to Edward Said’s work, as well as illuminating ideology’s role in discourse.

• Korom, Frank J. " 'Editing'’ Dharmaraj: Academic Genealogies of a Bengali Folk Deity." Western Folklore (Winter 1997), 56(1):62, 71.

• Kortenaar, Neil ten. "How the Centre is Made to Hold in Things Fall Apart." English Studies in Canada (September 1991), 17(3):327, 335.

• Kosasa, Karen K. "Pedagogical Sights/Sites: Producing Colonialism and Practicing Art in the Pacific." Art Journal (Fall 1998), 57(3):48n2.
       Recommends Homi K. Bhabha’s "DissemiNation" (1990) for how nations narrate the past by forgetting historical events.

• Koven, Seth. "Dr. Barnardo's 'Artistic-Fictions': Photography, Sexuality, and the Ragged Child in Victorian London." Radical History Review (Fall 1997), 69:43n47.

• Kramer, Lloyd. "Historical Narratives and the Meaning of Nationalism." Journal of the History of Ideas (July 1997), 58(3):533n13, 536, 537nn24, 25, 538.

• Kramer, Paul A. and John Plotz. "Pairing Empires: Britain and the United States, 1857-1947." Journal of Colonialism and Colonial History (Spring 2001), 2(1).
       http://muse.jhu.edu/journals/cch/v002/2.1kramer.html

• Kraniauskas, John. "Hybridity in a Transnational Frame: Latin-Americanist and Postcolonial Perspectives on Cultural Studies ." Nepantla: Views from South (2000), 1(1):116, 117, 118, 119, 120, 121, 122, 123, 125, 129, 130, 131, 133nn7, 9, 134nn10, 11, 12, 19, 136.

• Krasner, David. "'The Mirror Up to Nature': Modernist Aesthetics and Racial Authenticity in African American Theatre, 1895-1900." Theatre History Studies (1996), 16:124-125, 131, 137n47, 139nn86-87.

• Kratz, Corinne A. "We’ve Always Done It Like This ... Except for a Few Details’: ‘Tradition’ and ‘Innovation’ in Okiek Ceremonies." Comparative Studies in Society and History (January 1993), 35(1):32, 62.

• Krips, Henry. "Fetish and the Native Subject." Boundary 2: An International Journal of Literature and Culture (Spring 1997), 24 (1):113.

• Krise, Thomas W. "True Novel, False History: Robert Robertson’s Ventriloquized Ex-Slave in The Speech of Mr John Talbot Campo-Bell (1736)." Early American Literature (Spring 1995), 30(2):152, 162.

• Kubota, Ryuko. "Japanese Culture Constructed by Discourses: Implications for Applied Linguistics Research and ELT." Tesol Quarterly (1999), 33(1):16, 31.

• Kuhnheim, Jill. "Redefining Marginality: Dis-identification in Hasta no verte Jesús mío ." Romance Quarterly (Summer 1995), 42(3):165, 166, 167, 168n9.
       This issue is on "Women Writing the Romance Languages."

• Kusno, Abidin. "Beyond the Postcolonial: Architecture and Political Cultures in Indonesia." Public Culture (Spring 1998), 10(3):566n20, 573.

• Kujundzic, Dragan. "’After’ Russian Post-Colonial Identity." MLN: Modern Language Notes (December 2000), 115(5):893, 896, 908.

• Kwon, Miwon. "One Place After Another: Notes on Site Specificity." October (Spring 1997), 80:110.
       Quotes the following from Homi K. Bhabha: "The Globe shrinks for those who own it; for the displaced or the dispossessed, the migrant or refugee, no distance is more awesome than the few feet across borders or frontiers." (1992)