Discussions of Homi K. Bhabha's Works: Na'Allah, Abdul-Rasheed --- Nygren, Scott

Compiled by

Eddie Yeghiayan

• Na’Allah, Abdul-Rasheed. "African Literatures and Postcolonialism: Projections into the Twenty-First Century." Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée (September-December 1995), 22(3-4):569, 584.
       Special Issue on "Postcolonial Litteratures: Theory and Practice/ Les Littératures post-coloniales. Théories et réalisations."

• Nabers, Deak. "Spies Like Us: John Buchan and the Great War Spy Craze." Journal of Colonialism and Colonial History (Spring 2001), 2(1).
       http://muse.jhu.edu/journals/cch/v002/2.1nabers.html

• Nadel, Alan. "The Holocaust and Rodney King, Memory and Silence: ‘Cliffs Notes’ in the Age of Historical Reproduction." Modern Fiction Studies (Summer 1996), 42(2):466.

• Naficy, Hamid. "Exile Discourse and Televisual Fetishization." Quarterly Review of Film and Video (1991), 13(1-3):98, 115.
       This issue is on "Discourse of the Other: Postcoloniality, Positionality, and Subjectivity," edited by Hamid Naficy and Teshome H. Gabriel.

• Nag, Dulali. "Love in the Time of Nationalism: Bengali Popular Films from 1950s." Economic and Political Weekly (April 10, 1998), 33(14):787.

• Nagar, Richa. "The Making of Hindu Communal Organizations, Places, and Identities in Postcolonial Dar es Salaam." Enviornment & Planning D: Society & Space (December 1997), 15(6):708, 729.

• Nandan, Satendra. "Nationalism and Literature." Westerly (Fall 1992), 37(1):59, 63n1.

• Neilson, Brett. "Barbarism/Modernity: Notes on Barbarism." Textual Practice (Spring 1999), 13(1):90, 91, 95n48.

• Nelson, Robert S. "The Map of Art History." Art Bulletin (March 1997), 79(1):37n75, 40.

• Nelson, Steven. "What Is Black Art?" Art Journal (Fall 1998), 57(3):91-94.
       Review of Richard J. Powell’s Black Art and Culture in the 20^th Century and Alan Read, ed., The Fact of Blackness: Frantz Fanon and Visual Representation (1996).

• Nethersole, Reingard. "Dialog der Disziplinen: Grenzüberschreitende Perspektiven in der Germanistik.". Jahrbuch für Internationale Germanistik (1994), 26(2):12n17.

• Neuhaus, Jessamyn. "The Way to a Man's Heart: Gender Roles, Domestic Ideology, and Cookbooks in the 1950s." Journal of Social History (Spring 1999), 32(3):546, 547, 555nn120, 121, 123-125.
       Uses Homi K. Bhabha's definition of how authority functions to analyze postwar cookery texts.

• Newell, Stephanie. "Redefining Mimicry: Quoting Techniques and the Role of Readers in Locally Published Ghanaian Fiction." Research in African Literatures (Spring 2000), 31(1):32, 48.

• Newman, Kathleen. "National Cinema after Globalization: Fernando E. Solanas’ Sur and the Exiled Nation." Quarterly Review of Film and Video (Spring 1993), 14(3):77, 82n13.
       This issue is on "Mediating the National," edited by Marcia Butzel and Ana M. López.

• Ng, Maria N. "Chop Suey Writing: Sui Sin Far, Wayson Choy, and Judy Fong Bates." Essays on Canadian Writing (Fall 1998), 65:174, 185.

• Nicholls, Brett. "Disrupting Time: Post-Colonial Politics in Homi Bhabha's The Location of Culture." Southern Review: Literary and Interdisciplinary Essays (1997), 30(1): 4-25.

• Ning, Wang. "'Decolonizing' Chinese Culture in a Post-Colonial Era?" Canadian Review Of Comparative Literature/Revue Canadienne de Litterature Comparée (December 1997), 24(4):999, 1001-1002, 1006.

• Ning, Wang,. "Postcolonial Theory and the 'Decolonization’ of Chinese Culture." Ariel: A Review of International English Literature (October 1997), 28(4):33, 34, 38, 46.
       This issue is entitled "China & Postcolonialism."

• Nixon, Rob. "Caribbean and African Appropriations of The Tempest." Critical Inquiry (Spring 1987), 13(3):560.
       Cites Homi K. Bhabha’s "Of Mimicry and Man" (1984).
       Issue is on "Politics and Poetic Value," edited by Robert von Hallberg.

• Noland, Carrie. "The Metaphysics of Coffee: Blaise Cendrars, Modernist Standardization, and Brazil." Modernism/Modernity (2000), 7(3):418n2, 421n38.

• Noriega, Chon A. "On Museum Row: Aesthetics and the Politics of Exhibition." Daedalus: Journal of the American Academy of Arts and Sciences (Summer 1999), 128(3):71, 80n15.
       Issue is on "America’s Musuems."
       Quotes from Homi K. Bhabha’s essay "Beyond the Pale: Arts in the Age of Multicultural Translation" (1993).

• Noriega, Chon A. "Waas Sappening? Narrative Structure and Iconography in Born in East L.A." Studies in Latin American Popular Culture (1995), 14:125n21.

• Norton, Anne. "Response to Henry S. Kariel." Political Theory (May1990), 18(2): 274, 279n2.
       Reply to Henry S. Kariel. "The Feminist Subject Spinning in the Postmodern Project." Political Theory (May 1990), 18(2):255-272.

• Norton, Jody. "Transformational Theory and the Future of English Studies." Journal of the Midwest Modern Language Association (Spring 1998), 31(3):38n11, 41.

• Nunn, Robert. "Hybridity and Mimicry in the Plays of Drew Hayden Taylor." Essays on Canadian Writing (Fall 1998), 65:112-113, 116, 117.

• Nurse, Keith. "Globalization and Trinidad Carnival: Diaspora, Hybridity and Identity in Global Culture." Cultural Studies: Theorizing Politics, Politicizing Theory (October 1999), 13(4):663, 676, 684, 687.
       Carnival is theorized as a hybrid site for the negotiation of cultural identity and practice.

• Nygren, Anja. "Struggle over Meanings: Reconstruction of Indigenous Mythology, Cultural Identity, and Social Representation." Ethnohistory (Winter 1998), 45(1):32, 58.
       Cites Homi K. Bhabha’s "Remembering Fanon" (1994).

• Nygren, Scott. "Doubleness and Idiosyncrasy in Cross-Cultural Analysis." Quarterly Review of Film and Video (1991), 13(1-3):186n6.
       This issue is on "Discourse of the Other: Postcoloniality, Positionality, and Subjectivity," edited by Hamid Naficy and Teshome H. Gabriel.
       Summarizes Homi K. Bhabha’s view: "Bhabha argues that a ‘double articulation is characteristic of colonial discourse, through which the miming of Western forms in a non-Western context simulataneously implies their disavowal."