Texts by Rosalind Krauss, 1990

Eddie Yeghiayan

• "`Bachelors'." October (Spring 1990), 52: 53-59.
  This essay was written for the Sherrie Levine exhibition in September 1989 at the Mary Boone Gallery, New York.

• "The Blink of an Eye." In David Carroll, ed., The States of `Theory': History, Art, and Critical Discourse, pp. 175-199. Irvine Studies in the Humanities. New York: Columbia Universit y Press, 1990.

• "The Cultural Logic of the Late Capitalist Museum." October (Fall 1990), 54: 3-17.
  This text was written as a lecture for the September 10, 1990 meeting of the International Association of Mu seums of Modern Art (CIMAM) in Los Angeles.

• "The Cultural Logic of the Late Capitalist Museum." Kunst & Museumjournaal [Netherlands] (1990), 2(3): 1-12. Translated Denis Hollier's "On Equivocation (Between Literature and Politics)." October ( Winter 1990), 55: 3-22.

• "Interview with Rosalind Krauss." Rutgers Art Review (1990), 11: 53-68. Interview conducted by Gregory Gilbert and Richard Paley. Translated (with Denis Hollier and Annette Michelson) Jacques Lacan's Televisi on. New York: Norton, 1990.

• Joël Shapiro. Humlebaek, Denmark: Louisiana Museum (September 15-November 11, 1990); Valencia, Spain: IVAM [Instituto Valenciano de Arte Moderno], Centre Julio González del Carme (November 29, 1990-Febr uary 10, 1991); Zurich: Kunsthalle (March 23-May 26, 1991); Calais, France: Musée des Beaux-Arts (June 22-September 8, 1991). In Danish, Spanish and French.

• "La Ligne comme langage." (Translated by Maryse Hovens) Part de l'Oeil [Belgium] (1990), 6: 74-91. See Line as Language: Six Artists Draw (1974).

• "A Note on Photography and the Simulacral." In Carol S. Squiers, ed., The Critical Image: Essays on Contemporary Photography, pp. 15-27. Seattle, Washington: Bay Press, 1990. See "A Note on Phot ography and the Simulacral" (1984).

• "Note sur (la pratique artistique et) la photographie jusqu'à aujourd'hui." (Translated by Brice Matthieussent) Art Press [France] (1990), Supplement:128-132.
  A supplement of Art Press on "La Photograp hie."

• Le Photographique: pour une Théorie des Écarts. Histoire et théorie de la photographie. Paris: Macula, 1990.
  Includes a preface by Hubert Damisch entitled "À Partir de la photographie," pp. 5-11. Translated by Marc Bloch and Jean Kampf.
  Articles previously published in English.
  Contents:

  Introduction:12-15.
  I Existe-il un objet de pensée que désignerait l'expression `histoire de la photogarphie'?
  Sur les traces de Nadar:18-36.
  Les espaces discursifs de la photographie:37-56.
  II La photographie et l'histo ire de l'art
  L'impressonnisme: le narcissisme de la lumière:58-70.
  Marcel Duchamp ou le champ imaginaire:71-88.
  La photographie comme texte: le cas Namuth/Pollock:89-99.
  Photographie et surréalisme:100-124.
  III La photographie et la forme
  Stieglitz: &eacu te;quivalents:126-137.
  Les noctambules:138-153.
  A propos des Nus d'Irving Penn: la photographie en tant que collage:154-162.
  IV En regard de la photographie
  Corpus delicti:164-196.
  Quand les mots font défaut:197-207.
  Note sur la photographie et le simulac re:208-222.
  See "Tracing Nadar" (1978), "Photography's Discursive Spaces: Landscape/View" (1982), "Impressionism: The Narcissism of Light" (1976), "Marcel Duchamp ou le champ imaginaire" (1981), "Emblèmes ou lexies: le texte photographique" (1978), "Photograph ic Conditions of Surrealism" (1981), "Stieglitz/Equivalents" (1979), "Nightwalkers" (1981), "Introduction" to Irving Penn, Earthly Bodies (1980), "Corpus Delicti" (1985), "When Words Fail" (1982), "A Note on Photography and the Simulacral" (1983).

• "Picasso et Braque: l'invention du cubisme: entretien de François Rouan avec Rosalind Krauss." Art Press [France] (March 1990), 145: 12-17.
  François Rouan interviews Rosalind Krauss.

• "Richard Serra: Sculpture Redrawn." In Richard Armstrong and Richard Marshall, eds., The New Sculpture 1965-1975: Between Geometry and Gesture, pp. 274-277. New York: Whitne y Museum of American Art, 1990. See "Richard Serra: Sculpture Redrawn" (1972).
  This book was published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990, and The Museum of Contemporary Art at the Tempor ary Contemporary, Los Angeles, from February 17 through July 7, 1991.

• "Rosalind Krauss: `The Optical Unconscious'." [Interview]. Newsline [Columbia University, Graduate School of Architecture, Planning and Preservation] (March 1990), 2(6): 2. Interview conducted by Hal Fos ter.

• "The Story of the Eye." New Literary History (Winter 1990), 21(2): 283-298. Part of a conference held at the Humanities Institute of Scripps College of the Claremont Graduate School in March 198 8 on the place of history and historical thinking in the human sciences today entitled "History and..." Translated Thierry de Duve's "Marcel Duchamp, or The Phynancier of Modern Life." October (Spring 1990), 52: 60-75.

• (with Joan Copjec and Annette Michelson.) "To Our Readers." October (Summer 1990), 53: 111-112.

• "Vive le formalisme." (Translated by Marie-France de Paloméra) Art Press [France] (JulyAugust 1990), 149: 47-48.