Eddie Yeghiayan
Translated, and with an Introduction (with Judd D. Hubert). Louis Aragon's The Adventures of Telemachus. Lincoln: University of Nebraska Press, 1988.
"Aimé Césaire, French Poet." Dada/Surrealism ( 1973), 3:53-60.
"A la trace de Bing." In Tom Bishop and Raymond Federman, eds., Beckett, pp. 253-258. Cahiers de l'Herne. Paris: L'Herne, 1976.
"L'Alphabet de Claes Oldenburg." La Sape (1981), 16: 54-56.
"L'Amour et la féerie chez Madame d'Aulnoy." Romanische Forschungen (1963), 75(1-2):1-10.
"The Ancient Mariner's Graphic Voyage through Mimesis and Metaphor." Yearbook of English Studies (1985), 15:80-92.
"André Masson and His Critics." Comparative Literature Studies (December 1970), 7(4):480-488.
"Ania Staritsky: Livres. Ania Staritsky et le livre de peintre." Pleine Marge (December 1994), 20:93-115.
"Annie Le Brun et Toyen, l'illustrateur des livres de Annie Le Brun." In La Femme surréaliste, pp. 14-15, avec documentation et bibliographie, pp. 175-177. Nyons: Obliques, 1977.
Edited (with Judd D. Hubert.) Anthologie de la poésie française du vingtième siècle . New York: Appleton- Century-Crofts, 1971.
"L'Antiportrait surréaliste." Le Siècle Éclaté (1978), 2:67-82.
"Antoni Tapiès: Between History and
Mysticism." Dalhousie French Studies
(Fall-Winter 1991), 21:101-111.
Issue is on
"Art Criticism by French Poets since World War II."
"Apollinaire and Dine: A Re-Enactment of the Poet's Assassination." Symposium (Winter 1980-81), 34(4):333-351.
"Apollinaire et Picasso." Cahiers du Sud (January-February 1966), 53(386): 22-27.
"Apollinaire: Le langage des merveilles et des surprises." In Apollinaire, inventeur de langages, pp. 70-86. Paris: Lettres Modernes, 1973.
"L'Après-coup de l'amour fou: Joyce Mansour et Annie Le Brun." In Régis Antoine, ed., Carrefour de cultures: Mélanges offerts à Jacqueline Leiner, pp. 227-236. Études littéraires françaises, 55. Tübingen: Narr, 1993.
"L'Archangélique de Georges Bataille, le jeu de la mort et de la poésie." Revue des Sciences Humaines (October-December 1970), 35(140):603-612.
"Art and Perversity: Barlach's and Dalí's Views of Walpurgisnacht." Journal of European Studies (March-June 1983), 13(1-2): 75-95.
"The Art Book as Poetic Code: Breton's
Yves Tanguy ." L'Esprit Créateur
(Winter 1982), 22(4):56-66.
The issue
is on "The Poet as Art Critic."
Guest editor of "The Artist's Book: The Text and Its Rivals." Visible Language (Spring 1991), 25(2-3).
Asympotes: Poèmes .
Paris: Nouvelles Editions Debresse, 1954.
Poetry.
"Au-delà de L'Ephémère." Sub-Stance ( 1973), 5-6:117-127.
"Aurora: Adventure in Word and Image." Sub-Stance (1975), 11-12:74-87.
"Beckett's Play between Poetry and Performance." Modern Drama (December 1966), 9(3):339-346.
Le Berceau d'Eve. Paris:
Minuit, 1957.
Poetry.
"The Black Page." Review of Holton Rower's Nettles and Rebecca Lown's Procrustes' Bed. American Book Review (February-March 1993), 14(6):8.
"Blaise Cendrars et Léger." In Monique Chefdor, Claude Leroy and Frédéric-Jacques Temple, eds., Blaise Cendrars: Colloque de Cerisy-la-Salle, 20-30 juillet 1987, pp. 103-122. Sud (1988), 18. Colloques. Marseille: Sud, 1988.
"The Books of Fernand Léger: Illustrations and Inscription." Visible Language (Spring-Summer 1990), 23(2-3): 255-279.
"Le Calumet." In André Salmon, pp. 77-83. Quaderni del Novecento Francese, 9. Rome: Bulzoni; Paris: Nizet, , 1987.
Chants funèbres, suivi de Pastorales et Marines: Poèmes. Rodez: Editions Subervie, 1964.
"Characteristics of an Undefinable Genre: The Surrealist Prose Poem." Symposium (Spring 1968), 22(1):25-34.
"Char et l'illustration surréaliste."
In Daniel Leuwers, ed., René Char, pp. 274-288. Marseille: Sud, 1984.
Actes du Colloque international de l'Université de Tours, 20-22
juin 1983.
La Cité borgne . Poésie, 53. Paris: P. Seghers, 1953.
"Claudel, poète en prose." French Review (February 1962), 35:369-376.
"The Coherence of Breton's Nadja." Contemporary Literature ( 1969), 10(2):241-252.
(with Judd D. Hubert)." Une Collaboration surréaliste: Les Malheurs des immortels." In Surrealismo, pp. 205-219. Rome: Bulzoni, 1974.
"Collages and Surrealist Genres." In Wolodymr T. Zyla, ed., Proceedings of the Comparative Literature Symposium, Texas Tech University, January 29 and 30, 1970, Dedicated to Samuel Beckett, Vol. III: From Surrealism to the Absurd: A Symposium , pp. 163-190. Lubbock: Interdepartmental Committee on Comparative Literature, Texas Tech University, 1970.
"Les Contes." In Gustav Meyrink, pp. 55-59. Cahiers de l'Herne. Paris: L'Herne, 1976.
"Contexts of Twilight in Baudelaire's Petits poèmes en prose." Orbis Litterarum (1970), 25(4):352-360.
"The Couple and the Performance in Samuel Beckett's Plays." L'Esprit Créateur (Winter 1962), 2:175-180.
"La Critique d'art surréaliste:
Création et tradition."
Cahiers de l'Association Internationale des
Études Françaises (May 1985), 37:213-227.
Communication au XXVIe Congrès de
l'Association, le 26 juillet 1984.
"The Cult of the Visible in Gaspard de la nuit ." Modern Language Quarterly (March 1964), 25(1):76-85.
"Derrida, Dupin, Adami: `Il faut être
plusieurs pour écrire'." Yale French
Studies (1993), 84:242-264.
Issue is on
"Boundaries: Writing and Drawing."
Edited. Deux Pièces sur la fin d'un monde : La Belle au bois [par] Jules Supervielle [et] Les Bâtisseurs d'empire [par] Boris Vian. New York: Macmillan, 1966.
"Le Dialogue entre André Malraux et Pablo
Picasso." La Revue des Lettres Modernes
(1978), 537-542:73-82.
The issue is on "Malraux et
l'art."
"La Domaine du fantastique et les limites de la science." Nineteenth-Century French Studies ( 1973), 1:174-181.
"The Dreyfus Affair and the French Novel, from Fact to Fiction." Ph.D. Dissertation, Columbia University, 1952.
"Du Tableau-poème à la poésie concrète." Ecritures (1985), 2:271-289.
"L'Élan vers l'actuel dans la poésie d'Apollinaire et de Breton." La Revue des Lettres Modernes ( 1968), 183-188:195-206.
"L'Élan vers l'humain: `La Lucarne ovale'
et `Le chant des morts'." Entretiens
(1961):94-101.
Homage à Reverdy issue.
"Eluard, Paul." In Leonard S. Klein, ed., Encyclopedia of World Literature in the 20th Century. Revised edition, Vol. 2: E to K, pp. 24-26. New York: Ungar, 1981.
"Eluard's `A Fernand Léger'." Explicator ( 1966), 24: #54.
Enchaînement . Rodez:
Subervie, 1968.
Poetry.
"The Encounter of Balzac and Picasso." Dalhousie French Studies (October1983), 5:38-54.
"The Encounter of Bertholt Brecht and François Villon: A Commentary on The Threepenny Opera ." Comparatist (May 1981), 5:47-53.
"Ernst and Eluard: A Model of Surrealist Collaboration." Kentucky Romance Quarterly (Spring 1974), 21(1):113-121.
"Ethique et esthétique dans les utopies de Michaux." In Maurice Cagnon, ed., Ethique et esthétique dans la littérature du XXe siècle , pp. 79-85. Saratoga, CA: Anma Libri, 1978.
"L'Évolution du poème en prose dans l'oeuvre de Pierre Reverdy." MLN (March 1960), 25(3)233-239.
"The Fabulous Fiction of Two Surrealist Artists: Giorgio de Chirico and Max Ernst." New Literary History (Autumn 1972), 4:151-166.
"Fernand Léger, lecteur de Malraux." Revue André Malraux (1989), 21(2) &
(1990), 22(1-2):92-103.
The issue is on
"Metamorphosis & the Creative Process."
"Les Fictions déformantes: Une lecture
du Voleur de Talan." Sud (1981), 11:317-343.
"Reverdy" Colloque, 16-26
août 1980 au Centre Culturel International de Cerisy-la-Salle.
"The Fleeting World of Humor from Watteau to Fragonard." Yale French Studies (1960), 23:85-92.
"The Four Dimensional Book." In Martine
Heusser, ed., Word & Image Interactions, pp. 85-95. Basel: Wiese, 1993.
A
selection of papers given at the Second International Conference on Word
and Image, Universität Zurich, August 27-31, 1990.
"Francis Ponge and Postmodern Illustration."
Criticism (Summer 1988), 30(3):
375-398.
The issue is on "Modern Poetry and the Visual
Arts."
"French Notes on Two Italian Painters." Italian Quarterly (1961), 4:27-23.
"Fromentin's Dominique: The Confession of a Man Who Judges Himself." PMLA (December 1967), 82(7):634-639.
"From Déjeuner en fourrure to Caroline: Meret Oppenheim's Chronicle of Surrealism." Dada/Surrealism (1990), 18:37-49.
"From Déjeuner en fourrure to Caroline: Meret Oppenheim's Chronicle of Surrealism." In Mary Ann Caws, Rudolf E. Kuenzli and Gwen Raaberg, eds., Surrealism and Women, pp. 37-49. Cambridge, Mass.: MIT Press, 1991.
"Gender, Genre and Partnership: A Study of Valentine Penrose." In Juliet Flower MacCannell, ed., The Other Perspective in Gender and Culture: Rewriting Women and the Symbolic, pp. 117-142. Irvine Studies in the Humanities. New York & Oxford: Columbia University Press, 1990.
"Georges Braque and the French Poets." Books Abroad (Fall 1963), 37: 385-390.
"Gertrude Stein and the Making of Frenchmen." Sub-Stance, (1989), 18(2) [59]:71-92.
"Gertrude Stein, Cubism, and the Postmodern Book.
" Genre (Fall-Winter 1987), 20(3-4):
329-358.
This issue on "Postmodern Genres" is
edited by Marjorie Perloff.
"Gertrude Stein, Cubism, and the Postmodern Book. " In Marjorie Perloff, ed., Postmodern Genres, 96-125. Foreword by Robert Con Davis and Ronald Schleifer. Oklahoma Project for Discourse and Theory. Norman: University of Oklahoma Press, 1989.
"Graphisme poétique et poésie graphique: Les Illuminations de Fernand Léger." In `Minute d'éveil': Rimbaud maintenant, pp.149-157. Société des études romantiques. Paris: SEDES; CDU, 1984.
"Henri Michaux." Critical Bibliography of French Literature, pp. 1155-1162. Syracuse: Syracuse University Press, 1979.
"Henri Michaux and René Magritte." Stanford French Review (Spring 1978), 2(1):61-72.
"Henri Michaux: Illustration and Double Talent." World Literature Today (Spring 1984), 58(2):209-215.
"The Illustrated Book: Text and Image." In Jeanine Parisier Plottel and Hanna Charney, eds., Intertextuality: New Perspectives in Criticism, pp. 177-195. New York Literary Forum, 2. New York: New York Literary Forum, , 1978.
"L'Image poétique de Michel Leiris." French Forum (January 1976), 1(1):68-78.
"Images du criminel et du héros surréalistes." Mélusine ( 1979), 1:187-197.
"Interpretation figurée des Fables de La Fontaine." Kentucky Romance Quarterly ( 1967), 14(3):177-190.
"Intertextualité et illustration: La Poupée de Bellmer et d'Éluard." In Les Mots/la vie, pp. 63-71. No. hors-série. Nice : Publications du Groupe Éluard, 1984.
"Intimacy and Distance in Baudelaire's Prose-Poems." Texas Studies in Literature and Language ( 1970), 12(2):241-247.
"Introducing Unica Zürn." Sulfur (Fall 1991), 29:67-104.
"Introduction to "The Artist's Book: The Text and Its Rivals" issue of Visible Language (Spring 1991), 25(2-3):117-137.
(with Eric T. Haskell.) "Introduction to `The Question of Book Illustration'." Word & Image (October-December 1987), 3(4):223-224.
"The Invasions of Poetry."
Diacritics (Spring 1974), 4(1):
21-25.
On Mary Ann Caws' The Inner Theatre of Recent French
Poetry.
"Julien Gracq et la solution poétique." Cahiers de l'Association Internationale des Études Françaises (March 1962), 14:195-207.
"Julien Gracq, historien du rêve." French Review (April 1965), 38(5):630-636.
"La Fontaine et la famille Vernet." In Ulrich Döring, Antiopy Lyroudias and Rainer Zaiser, eds., Ouverture et dialogue: Mélanges offerts à Wolfgang Leiner à l'occasion de son soixantième anniversaire, pp. 247-262. Tübingen: Narr, 1988.
"The Landscape of Desire in Le Point Cardinal." Dada/Surrealism ( 1976), 6:31-36.
"Le Langage de la peinture dans le poème en prose contemporain." Revue des Sciences Humaines (January-March 1962), 105:109-116.
"Lectures de Giacometti." Revue d'Esthétique (1971), 24(3):75-90.
"Leonora Carrington and Max Ernst: Artistic Partnership and Feminist Liberation." New Literary History (Summer 1991), 22(3):713-745.
"Limbour et la poétique de Masson." Romance Notes (Autumn 1970), 12(1):1-4.
"La Liberté grande: La ville comme aventure." In Jean-Louis Leutrat, ed., Gracq, pp. 139-145. Cahiers de L'Herne, 20. Paris: L'Herne, 1972.
"Literature and Fine Arts."
Yearbook of Comparative and General Literature (
1975), 24:40-43.
Part of a symposium on "The Place of
Comparative Literature in Interdisciplinary Studies."
"Livre illustré, culture actuelle." Cahiers de l'Archipel (1982), 9:28-30.
"Lokis, la recherche de l'identité et l'énigme fantastique." Nineteenth-Century French Studies (Spring-Summer 1980), 8(3-4):228-235.
Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln & London: University of Nebraska Press, 1994. Reviews
Frick, T. Los Angeles Times (January 22,
1995):6.
La Charité, Virginia A. French Forum
(January 1996), 21(1):106-107.
Marissel, A. Cahiers de l'Archipel,
34:40-41.
Webb, P. Burlington Magazine (April 1995).
"The Maids as Children: A Commentary on Genet's Les Bonnes." Romance Notes (Spring 1969), 10(2):204-209.
(with Judd Hubert.) "Masson's and Mallarmé's Un Coup de dés: An Esthetic Comparison." Nineteenth-Century French Studies (Spring-Summer 1990), 18(3-4):508-523.
"Max Ernst and Romanticism." Dada/Surrealism (1979), 9:48-61.
"Max Ernst and Samuel Beckett." In Warren Friedman, Dina Sherzer and Charles Rossman, eds., Beckett Translating/Translating Beckett, pp. 199-211. University Park: Pennsylvania State University Press1987.
"Max Ernst: Die Verdrängung des Visuellen
und des Verbalen." In Volker Bohn, ed., Bildlichkeit, pp. 192-229. Frankfurt:
Suhrkamp, 1990.
German translation of "Max Ernst: The
Displacement of the Visual and the Verbal" (1984).
"Max Ernst: The Displacement of the Visual and the Verbal." New Literary History (Spring 1984), 15(3): 575-606.
"Max Ernst entre la bonté et le plaisir." In Jacqueline Chenieux-Gendron, ed., Du Surréalisme et du plaisir, pp. 149-159. Paris: Corti, 1987.
"Max Jacob: The Poetics of Le Cornet à dés ." In Mary Ann Caws, ed., About French Poetry from Dada to `Tel Quel': Text and Theory , pp. 99-111. Detroit: Wayne State University Press, 1974.
"Max Jacob's Bourgeois Voices." In Judith Morganroth Schneider, ed., Max Jacob Centennial (1876-1976) , pp. 38-42. Folio, 9. Brockport: Department of Foreign Languages, State University of New York, 1976.
"Michaux, Henri." In Jean-Albert Bédé and William B. Edgerton, eds., Columbia Dictionary of Modern European Literature, 2d edition, fully revised and enlarged, pp. 533-534. New York: Columbia University Press, 1980.
"Michel Deguy's art poétique." Sub-Stance (1979), 23-24:172-176.
"Microtexts: An Aspect of the Work of Beckett, Robbe-Grillet, and Nathalie Sarraute." International Fiction Review (January 1974), 1(1):9-16.
"Miró and Breton."
Yale French Studies (May 1964),
31:52-59.
The issue is on "Surrealism."
"Miró et le livre surréaliste."
Mélusine (1982),
4:227-240.
The issue is on "Le Livre surréaliste." Actes
du Colloque en Sorbonne, juin 1981, organisé par Henri Béhar.
"Mother Goose in Rags and Riches." Journal of Popular Culture (Summer 1971), 5(1): 148-161.
"Les Mythologies intimes de Supervielle." Symposium (1959), 3(2):300-306.
" Nadja depuis la mort de
Breton." Oeuvres et Critiques (Spring
1977), 2(1): 93-103.
Issue is on "Prose
romanesque du XXe siècle."
Natures Mortes . Honfleur: P.J. Oswald,
1972.
Poetry.
"The Other Wordly Landscapes of E.A. Poe and
René Magritte." Sub-Stance
( 1978-79), 21:69-78.
The issue is entitled
"Literature and its Others."
"Paix dans les brisements: Trajectoire
verbal et
graphique." L'Esprit Créateur
(Fall 1986), 26(3):72-86.
The issue is on
Henri Michaux.
"The Paradox of Silence: Samuel Beckett's Plays." Mundus Artium (Summer 1969), 2(3):82-90.
"Patch and Paradox in Joseph Cornell's Art." In Jeanine Parisier Plottel, ed., Collage, pp. 167-179. New York Literary Forum, 10-11. New York: New York Literary Forum, 1983.
"Patterns in the Anti-Novel." Forum (Winter 1963), 3(11):11-15.
"Paul Klee: Modernism in Art and Literature." In Monique Chefdor, Ricardo Quinones and Albert Wachtel, eds., Modernism: Challenges and Perspectives, pp. 212-237, Urbana:University of Illinois Press, 1986.
"`Peau pour mon alphabet': Langage et lecture dans Ouï-dire." French Forum (May 1985), 10(2):215-223.
"Poe vu par cinq illustrateurs." In Dimensions du merveilleux, Vol. III, pp. 134-154. Oslo: Colloque International, 1986.
"Poésie caligrammatique et poésie
concrète." Que-Vlo-Ve? (July-October
1981), 29-30:1-17.
Lectures et interprétation
des Calligrammes, Actes du colloque de Stavelot, 1977,
établis par Michel Décaudin et Victor Martin Schmets.
"Poetic Humor in Madame d'Aulnoy's Fairytales." L'Esprit Créateur (Fall 1963), 3: 123-129.
"Ponge: Visual and Poetical Writing." Visible Language (1978), 12(3):319-340.
"Portrait d'Unica Zürn en anagramme." Pleine Marge (June1988), 7:60-72.
"The Postmodern Book and the Example of Michel Butor." In Marilyn F. Moriarty, ed., Postmodernism and Beyond: Architecture as the Critical Art of Contemporary Culture, Conference Schedule and Supplement, pp. 7-12. Irvine: University of California, Irvine, 1989.
"The Postmodern Line and the Postmodern Book." In Robert Frank and Henry Sayre, eds., The Line in Modern Poetry, pp. 132-151. Urbana: University of Illinois Press, 1988.
"Preface."
Esprit Créateur (Fall 1989),
29(3):3-9.
Guest Editor of "Women, Gender, Genre" issue.
"La Présence du théâtre dans Le Poète assassiné." Bérénice (July 1981), 3:44-56.
"La Présence du théâtre dans Le Poète assassiné." Papers in Romance (Winter 1981), 3(1):1-10.
"Proverbes et images dans Pénalités de l'enfer." In Marie-Claire Dumas, ed., Robert Desnos: Permanence d'une voix, pp. 115-125. Paris: Corti, 1988.
"Raw and the Cooked: An Interpreation of Ubu
roi." L'Esprit Créateur
(Winter 1984), 24(4):75-83.
The issue is
on Alfred Jarry.
"Readable-Visible: Reflections on the Illustrated Book." Visible Language (Autumn 1985) , 19(4):519-538.
Review of André Marissel's Hérésies pour mémoire. Cahiers de l'Archipel, 33:38.
Review of André Pieyre de Mandiargues' Le Point ou` j'en suis. French Review (May 1965), 38(6):808.
Review of Ann Greet's Jacques Prévert's Word Games. Modern Language Journal (November 1970), 44(7):233-235.
Review of Bernard Noël's La Peau et les mots. French Review (May 1973), 46(6):1245-1246.
Review of Le Cinéma des Surréalistes . French Review (December 1982), 56(2): 357-358.
Review of Claude Gandelman's Reading Pictures, Viewing Texts. Sub-Stance (1992), 21(2) [68]:124-126.
Review of France Galand's Corps de sable. French Review (March 1972), 45(4):900-901.
Review of Francis Haskell and others, ed., The Artist and the Writer in France: Essays in Honour of Jean Seznec . Nineteenth-Century French Studies ( 1977), 5(3-4):352-354.
"Review of Gérard Bertrand's L'Illustration de la poésie à l'époque du cubisme. Europe (January 1973), 525:323-324.
Review of Gloria Orenstein's The Theatre of the Marvelous . French Forum (January 1977), 2(1): 94-96.
Review of Henri Michaux' Poteaux d'angle. French Review (February 1972), 45(3):701.
Review of Inez Hedges' The Languages of Revolt: Dada and Surrealist Literature and Film . French Review (December 1987), 61(2):308.
Review of Jacques Barchilon's Le Conte merveilleux français de 1690 à 1790. French Review (October 1978), 52(1):162-163.
Review of James Huddleston's L'Univers de Jules Supervielle. Modern Language Quarterly (June 1966):233-235.
Review of Jean Breton's Vacarme au Secret. French Review (April 1977), 5:807.
Review of Jean Tardieu's Les Portes de toile. French Review (December 1970), 44(2):424-425.
Review of Léon-Paul Fargue's Épaisseurs suivi de Vulturne . French Review (February 1972), 45(3):694-695.
Review of Lorand Gaspar's L'Égée suivi de Judée. French Review (May 1981), 54(6):895.
Review of Manfred Gsteigner's Französische Symbolisten in der deutschen Jahrhundertwende (1869-1914). Comparative Literature Studies (September 1974), 11(3):254-255.
Review of Martin Antle's Théâtre et poésie surrealistes: Vitrac et la scène virtuelle. Sub-Stance ( 1991), 20(64):115-116.
Review of Myra Bell Rochester's René Crevel: Les pays des miroirs absolus. French Review (October 1982), 56(1):162-163.
Review of Pierre Oster's Les Dieux. French Review (December 1970), 44(2):420-421.
Review of Pierre Oster's La Grande Année. French Review (May 1965), 38(6):807-808.
Review of René Char's Aromates chasseurs. French Review (May 1977), 50(6):954-955.
Review of René Fontaine's This Book Is an Object. Fine Print (Autumn 1990), 16:132-133.
Review of Richard Rognet's Petits Poèmes en fraude . French Review (April 1982), 55(5): 712-713.
Review of Robert Desnos' Nouvelles Hébrides et autres textes, ed. by Marie-Claire Dumas. French Review (March 1980), 53(4):642-643.
Review of Roger Vitrac'sThéâtre, Vols. 3 et 4. French Review (May 1965), 38(6):809-810.
Review of Virginia La Charité's Henri Michaux. French Review (October 1978), 52(1):172-173.
Review of W. Bohn's Apollinaire and the Faceless-Man: The Creation and Evolution of a Modern Motif. French Forum (September 1992), 17(3):360-361.
Review of Yves Bonnefoy's L'Arrière-pays. French Review (October 1973), 47(1):216-217.
Review of Yves Bonnefoy's Pierre écrite. French Review (October 1966), 40(1):1744-175.
Review of Xavière Gauthier's Surréalisme et sexualité. French Review (February 1973), 46(3):639-640.
"Robert Champigny et le récit poètique." In Heidi Bouraoui, ed., Robert Champigny, poète et philosophe, pp. 47-54. Paris: Champion-Slatkine, 1987.
"Le Rôle de l'actuel dans la poésie de Apollinaire et de Breton." In Le Réel dans la littérature et dans la langue, p. 167 (résume). Paris: 1967.
"Le Rôle du couple dans la peinture
surréaliste." Mélusine (1990):249-262.
The issue is on History,
Historiography.
"Romantic Intertextuality: Meret Oppenheim's Verbal and Visual Works." In Ingeborg Hoesterey and Ulrich Weisstein, eds., Intertextuality: German Literature amd Visual Art from the Renaissance to the Twentieth Century, pp. 100-117. Studies in German Literature, Linguistics, and Culture. Columbia, SC: Camden House, 1993.
"Satire and Utopia: Robida and Grandville." Comparatist (May 1985), 9:47-54.
"Le Sens du voyage dans quelques contes de Madame d'Aulnoy." French Review (April 1973), 46(3):931-937.
"Simulacre et mimésis." Mélusine (1981), 2: 222-227.
On Michel Leiris' Simulacre.
"Sophie Taeuber and Hans Arp: A Community of Two." Art Journal (Winter 1993), 52(4):25-32.
"Soupault et Alexéïeff." In Jacqueline Chénieux-Gendron, ed., Philippe Soupault le poète, pp. 149-161. Paris: Klincksieck, 1992.
"Supervielle, Jules." In Wolfgang Bernard Fleischmann, ed., Encyclopedia of World Literature in the 20th Century, Vol 3: O-Z, pp. 364-365. New York: Ungar, 1971.
"Superville, Jules." In Leonard S. Klein, Encyclopedia of World Literature in the 20th Century, Revised edition, Vol. 4: R to Z, pp. 368-369. New York: Ungar, 1981.
"Supervielle in Stageland."
Yale French Studies (Spring-Summer 1962), 29:102-107.
The issue is on "The New Dramatists."
"Sur les traductions." In Recherche et pluridisciplinarité, pp. 317-319. Paris: Nouvelle, 1982.
Surrealism and the Book
. Berkeley, Los Angeles & London:
University of California Press, 1988.
Reviews
Antle, Martine. MLN (September 1989), 104(4):949-953.
Anzalone, John. &Esprit Créateur (Summer 1989), 29(2):94-95.
Ballast Quarterly Review (Fall 1993), 9(1).
Bohn, Willard. Comparative Literature (Summer 1990), 42(3):280-281.
Boulestreau, N. Revue d'Histoire Littéraire de la France (July-October 1991), 91(4-5:802-803.
Braman, Sandra. Journal of Communication (Spring 1993), 43:182-183.
Cardinal, Roger. TLS [Times Literary Supplement] (September 29, 1989), 4513:1064.
Deboer, C. Revue Belge de Philologie et d'Histoire (1992), 70(3):745-749.
De Julio, Maryann. Sub-Stance (1989), 18(59):118-120.
Ferguson, Suzanne. Criticism (1989), 31(3):308-311.
Gandelamn, Claude. American Journal of Semiotics, 6(2-3):305-312.
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Hattendorf, Richard. French Review (1988-89), 62(4):674-675.
Hoffberg, J. Umbrella (March 1993), 16(1).
Jollet, Etienne. Cahiers du Musée d'Art Moderne (Summer 1989), 28:113-114.
Kohler, Raili. Oeuvres et Critiques (1990), 15(1):165-166.
La Charité, Virginia A. French Forum (1989), 14(2):249-251.
Lawall. Sarah. World Literature Today (Autumn 1989), 63(4):656.
Levitt, A.S. Journal of Modern Literature (Fall 1988), 16(2-3):211.
Myers, G., Jr. Dialogue: An Art Journal, 12(4).
Perloff, Marjorie. Sulfur (Spring 1990), 26:93-96.
Saine, U. Cahiers de l'Archipel, 29.
Shattuck, Roger. Salmagundi (Winter 1989), 81:19-20.
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"The Surrealist Book." Word & Image (January-March 1988), 4(1):265-274.
First International Conference on Word and Image held
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" The Tableau-poème:
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Yale French Studies (1984), 67:43-56.
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"Le Théâtre d'Avant-Garde." Studi Francesi (January-April 1965), 25(9): 119-122.
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"Three Women Poets: Renée Rivet, Joyce
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"Traces of Transcendence: Masson, Ernst, Tapiés." Word & Image (April-June 1991), 7(2):165-176.
"`Trésor des fèves et fleur des
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"Ubu roi and the Surrealist
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The issue
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"Unica Zürn and Hans Bellmer." Sulfur (Fall 1991), 29::98-104.
See above "Introducing Unica Zürn."
"L'universo fantastico di Alain Lesort." Pianeta, (1975), 56: 156-157.
"The Use of Reversals in Rimbaud's Illuminations ." L'Esprit Créateur ( 1969), 9(1): 9-18.
"Verhaeren et James Ensor." Cahiers de l'Association Internationale des
Études Françaises (May 1982), 34:178-192.
Communication au XXIIIe Congrès de
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"La Vie des gisants." Sud ( 1988), 18(78-79):81-86.
"Villers de l'Isle Adam: Le domaine du fantastique et les limites de la science." Nineteenth-Century French Studies (Spring 1973), 1(3): 174-181.
"Wolfgang Paalen et ses familiers: l'itinéraire visuel et verbal de Dyn à Dynaton." Mélusine (1991), 12:129-145.
"Writers as Art Critics: Three Views of the Paintings of Paul Klee." Contemporary Literature (1977), 18(1):75-92.
"Yves Tanguy." In Adam Biro and René Passeron, eds., Dictionnaire général du surréalisme et ses environs, pp. 396-397. Fribourg: Presses Universitaires de France, 1982.